The Oxford handbook of music and virtuality / edited by Sheila Whiteley and Shara Rambarran.
Material type:
TextSeries: Oxford handbooksPublisher: New York City : Oxford University Press, 2016Copyright date: 2016Description: xxxii, 679 pages : illustrations, music ; 26 cmContent type: - text
- unmediated
- volume
- 9780199321285
- 0199321280
- Handbook of music and virtuality
- Music and virtuality
- REF ML 74.7 .O94 2016
| Item type | Current library | Call number | Copy number | Status | Barcode | |
|---|---|---|---|---|---|---|
Reference
|
Storms Research Center Reference Collection - Does Not Circulate | REF ML 74.7 .O94 2016 (Browse shelf(Opens below)) | 1 | Not for loan | 98651529 |
Series statement from dust jacket.
The Pre-Digital Virtual. "Seventeenth Heaven": Virtual Listening and its Discontents / Christian Lloyd ; "Nothing is Real": The Beatles as Virtual Performers / Philip Auslander and Ian Inglis ; Tom, Jerry and the Virtual Virtuoso / Sheila Whiteley ; Bring that Beat Back: Sampling as Virtual Collaboration / Rowan Oliver ; An Analysis of Virtuality in the Creation and Reception of the Music of Frank Zappa / Paul Carr -- Vocaloids, Holograms and Virtual Pop Stars. Vocaloids and Japanese Virtual Vocal Performance: The Cultural Heritage and Technological Futures of Vocal Puppetry / Louise H. Jackson and Mike Dines ; Hatsune Miku and Japanese Virtual Idols / Rafal Zaborowski ; Hatsune Miku, 2.0Pac and Beyond: Rewinding and Fast-Forwarding the Virtual Pop Star / Thomas Conner ; "Feel Good" with Gorillaz and "Reject False Icons": The Fantasy Worlds of the Virtual Group and their Creators / Shara Rambarran -- Second Life. Avatar Rockstars: Constructing Musical Personae in Virtual Worlds / Trevor S. Harvey ; Performing Live in Second Life / Justin Gagen and Nicholas Cook ; Live Opera Performance in Second Life: Challenging Producers, Performers and the Audience / Marco Antonio Ch�aavez-Aguayo -- Authorship, Creativity and Musicianship. We Are, The Colors: Collaborative Narration and the Experimental Construction of a Non-Existent Band / Alon Ilsar and Charles Fairchild ; Music in Perpetual Beta: Composition, Remediation, and "Closure" / Paul Draper and Frank Millward ; Justin Bieber Featuring Slipknot: Consumption as Mode of Production / Ragnhild Br�vig-Hanssen ; Human After All: Understanding Negotiations of Artistic Identity through the Music of Daft Punk / Cora S. Palfy ; Virtual Bands: Recording Music Under the Big Top / David Tough -- Communities and the World-Wide-Web. "Uploading" to Carnegie Hall: The First YouTube Symphony Orchestra / Shzr Ee Tan ; The Listener as Remixer: Mix Stems in Online Fan Community and Competition Contexts / Samantha Bennett ; Sample Sharing: Virtual Laptop Ensemble Communities / Benjamin O'Brien ; Stone Tapes: Ghost Box, Nostalgia, and Post-War England / David Pattie ; From Hypnagogia to Distroid: Postironic Musical Renderings of Personal Memory / Adam Trainer ; Bands in Virtual Spaces, Social Networking and Masculinity / Danijela Bogdanovic -- Sonic Environments and Musical Experience. From Environmental Sound to Virtual Environment Enhancing: Consuming Ambiance as Listening Practice / Thomas Brett ; App Music / Jeremy Wade Morris ; Alternative Virtuality: Independent Micro Labels Facing the Ideological Challenge of Virtual Music Culture: The Case of Finnish Ektro Records / Juho Kaitaj�arvi-Tiekso ; Everybody Knows There is Here: Surveying the Indexi-Local in CBC Radio 3 / Michael Audette-Longo ; Mind Usurps Program: Virtuality and the "New Machine Aesthetic" of Electronic Dance Music / Benjamin Halligan -- Participatory Culture and Fundraising. Virtual Music, Virtual Money: The Impact of Crowdfunding Models on Creativity, Authorship and Identity / Mark Thorley ; With a Little Help from My Friends, Family and Fans: DIY, Participatory Culture and Social Capital in Music Crowdfunding / Francesco D'Amato ; Music and Crowdfunded Websites: Digital Patronage and Artist-Fan Interactivity / Justin Williams and Ross Wilson -- Authors' Blog: Final Thoughts on Music and Virtuality / Edited by Paul Carr.
Includes bibliographical references and index.
This work, edited by Sheila Whiteley and Shara Rambarran, brings together a multidisciplinary group of scholars who address issues such as artistic agency, the relationship between reality and illusion or simulation, and the construction of musical personae, subjectivities, and identities in a virtual world.
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