MARC details
| 000 -LEADER |
| fixed length control field |
05245cam a2200445 i 4500 |
| 001 - CONTROL NUMBER |
| control field |
u93828 |
| 003 - CONTROL NUMBER IDENTIFIER |
| control field |
SIRSI |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
| control field |
20251119153536.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
| fixed length control field |
150603s2016 nyuag b 001 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
| LC control number |
2015022089 |
| 040 ## - CATALOGING SOURCE |
| Original cataloging agency |
DLC |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
DLC |
| Modifying agency |
PUL |
| -- |
BDX |
| -- |
BTCTA |
| -- |
YDXCP |
| -- |
OCLCF |
| -- |
LTSCA |
| -- |
TWJ |
| -- |
NLE |
| -- |
CHVBK |
| -- |
UIU |
| -- |
WEA |
| -- |
UKWOH |
| -- |
OCLCO |
| -- |
OCLCA |
| -- |
VF$ |
| 015 ## - NATIONAL BIBLIOGRAPHY NUMBER |
| National bibliography number |
GBB626191 |
| Source |
bnb |
| 019 ## - |
| -- |
946116213 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
| International Standard Book Number |
9780199321285 |
| Qualifying information |
(hardcover ; |
| -- |
alk. paper) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
| International Standard Book Number |
0199321280 |
| 035 ## - SYSTEM CONTROL NUMBER |
| System control number |
(OCoLC)910993819 |
| Canceled/invalid control number |
(OCoLC)946116213 |
| 042 ## - AUTHENTICATION CODE |
| Authentication code |
pcc |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
| Classification number |
REF ML 74.7 |
| Item number |
.O94 2016 |
| 049 ## - LOCAL HOLDINGS (OCLC) |
| Holding library |
VF$R |
| 245 04 - TITLE STATEMENT |
| Title |
The Oxford handbook of music and virtuality / |
| Statement of responsibility, etc. |
edited by Sheila Whiteley and Shara Rambarran. |
| 246 30 - VARYING FORM OF TITLE |
| Title proper/short title |
Handbook of music and virtuality |
| 246 30 - VARYING FORM OF TITLE |
| Title proper/short title |
Music and virtuality |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
| Place of production, publication, distribution, manufacture |
New York City : |
| Name of producer, publisher, distributor, manufacturer |
Oxford University Press, |
| Date of production, publication, distribution, manufacture, or copyright notice |
2016. |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
| Date of production, publication, distribution, manufacture, or copyright notice |
2016 |
| 300 ## - PHYSICAL DESCRIPTION |
| Extent |
xxxii, 679 pages : |
| Other physical details |
illustrations, music ; |
| Dimensions |
26 cm. |
| 336 ## - CONTENT TYPE |
| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
| Media type term |
unmediated |
| Media type code |
n |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
| Carrier type term |
volume |
| Carrier type code |
nc |
| Source |
rdacarrier |
| 500 ## - GENERAL NOTE |
| General note |
Series statement from dust jacket. |
| 505 00 - FORMATTED CONTENTS NOTE |
| Title |
The Pre-Digital Virtual. |
| -- |
"Seventeenth Heaven": Virtual Listening and its Discontents / |
| Statement of responsibility |
Christian Lloyd ; |
| Title |
"Nothing is Real": The Beatles as Virtual Performers / |
| Statement of responsibility |
Philip Auslander and Ian Inglis ; |
| Title |
Tom, Jerry and the Virtual Virtuoso / |
| Statement of responsibility |
Sheila Whiteley ; |
| Title |
Bring that Beat Back: Sampling as Virtual Collaboration / |
| Statement of responsibility |
Rowan Oliver ; |
| Title |
An Analysis of Virtuality in the Creation and Reception of the Music of Frank Zappa / |
| Statement of responsibility |
Paul Carr -- |
| Title |
Vocaloids, Holograms and Virtual Pop Stars. |
| -- |
Vocaloids and Japanese Virtual Vocal Performance: The Cultural Heritage and Technological Futures of Vocal Puppetry / |
| Statement of responsibility |
Louise H. Jackson and Mike Dines ; |
| Title |
Hatsune Miku and Japanese Virtual Idols / |
| Statement of responsibility |
Rafal Zaborowski ; |
| Title |
Hatsune Miku, 2.0Pac and Beyond: Rewinding and Fast-Forwarding the Virtual Pop Star / |
| Statement of responsibility |
Thomas Conner ; |
| Title |
"Feel Good" with Gorillaz and "Reject False Icons": The Fantasy Worlds of the Virtual Group and their Creators / |
| Statement of responsibility |
Shara Rambarran -- |
| Title |
Second Life. |
| -- |
Avatar Rockstars: Constructing Musical Personae in Virtual Worlds / |
| Statement of responsibility |
Trevor S. Harvey ; |
| Title |
Performing Live in Second Life / |
| Statement of responsibility |
Justin Gagen and Nicholas Cook ; |
| Title |
Live Opera Performance in Second Life: Challenging Producers, Performers and the Audience / |
| Statement of responsibility |
Marco Antonio Ch�aavez-Aguayo -- |
| Title |
Authorship, Creativity and Musicianship. |
| -- |
We Are, The Colors: Collaborative Narration and the Experimental Construction of a Non-Existent Band / |
| Statement of responsibility |
Alon Ilsar and Charles Fairchild ; |
| Title |
Music in Perpetual Beta: Composition, Remediation, and "Closure" / |
| Statement of responsibility |
Paul Draper and Frank Millward ; |
| Title |
Justin Bieber Featuring Slipknot: Consumption as Mode of Production / |
| Statement of responsibility |
Ragnhild Br�vig-Hanssen ; |
| Title |
Human After All: Understanding Negotiations of Artistic Identity through the Music of Daft Punk / |
| Statement of responsibility |
Cora S. Palfy ; |
| Title |
Virtual Bands: Recording Music Under the Big Top / |
| Statement of responsibility |
David Tough -- |
| Title |
Communities and the World-Wide-Web. |
| -- |
"Uploading" to Carnegie Hall: The First YouTube Symphony Orchestra / |
| Statement of responsibility |
Shzr Ee Tan ; |
| Title |
The Listener as Remixer: Mix Stems in Online Fan Community and Competition Contexts / |
| Statement of responsibility |
Samantha Bennett ; |
| Title |
Sample Sharing: Virtual Laptop Ensemble Communities / |
| Statement of responsibility |
Benjamin O'Brien ; |
| Title |
Stone Tapes: Ghost Box, Nostalgia, and Post-War England / |
| Statement of responsibility |
David Pattie ; |
| Title |
From Hypnagogia to Distroid: Postironic Musical Renderings of Personal Memory / |
| Statement of responsibility |
Adam Trainer ; |
| Title |
Bands in Virtual Spaces, Social Networking and Masculinity / |
| Statement of responsibility |
Danijela Bogdanovic -- |
| Title |
Sonic Environments and Musical Experience. |
| -- |
From Environmental Sound to Virtual Environment Enhancing: Consuming Ambiance as Listening Practice / |
| Statement of responsibility |
Thomas Brett ; |
| Title |
App Music / |
| Statement of responsibility |
Jeremy Wade Morris ; |
| Title |
Alternative Virtuality: Independent Micro Labels Facing the Ideological Challenge of Virtual Music Culture: The Case of Finnish Ektro Records / |
| Statement of responsibility |
Juho Kaitaj�arvi-Tiekso ; |
| Title |
Everybody Knows There is Here: Surveying the Indexi-Local in CBC Radio 3 / |
| Statement of responsibility |
Michael Audette-Longo ; |
| Title |
Mind Usurps Program: Virtuality and the "New Machine Aesthetic" of Electronic Dance Music / |
| Statement of responsibility |
Benjamin Halligan -- |
| Title |
Participatory Culture and Fundraising. |
| -- |
Virtual Music, Virtual Money: The Impact of Crowdfunding Models on Creativity, Authorship and Identity / |
| Statement of responsibility |
Mark Thorley ; |
| Title |
With a Little Help from My Friends, Family and Fans: DIY, Participatory Culture and Social Capital in Music Crowdfunding / |
| Statement of responsibility |
Francesco D'Amato ; |
| Title |
Music and Crowdfunded Websites: Digital Patronage and Artist-Fan Interactivity / |
| Statement of responsibility |
Justin Williams and Ross Wilson -- |
| Title |
Authors' Blog: Final Thoughts on Music and Virtuality / |
| Statement of responsibility |
Edited by Paul Carr. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
| Bibliography, etc. note |
Includes bibliographical references and index. |
| 520 8# - SUMMARY, ETC. |
| Summary, etc. |
This work, edited by Sheila Whiteley and Shara Rambarran, brings together a multidisciplinary group of scholars who address issues such as artistic agency, the relationship between reality and illusion or simulation, and the construction of musical personae, subjectivities, and identities in a virtual world. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
| Topical term or geographic name entry element |
Music and the Internet. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
| Topical term or geographic name entry element |
Music |
| General subdivision |
Computer network resources. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
| Personal name |
Whiteley, Sheila, |
| Dates associated with a name |
1941-2015, |
| Relator term |
editor. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
| Personal name |
Rambarran, Shara, |
| Relator term |
editor. |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE |
| Uniform title |
Oxford handbooks. |
| 994 ## - |
| -- |
C0 |
| -- |
VF$ |