000 03706cam a2200601 i 4500
001 u93690
003 SIRSI
005 20251119153612.0
008 150912s2015 nyu d 000 1 eng
010 _a 2015026780
040 _aDLC
_beng
_erda
_cDLC
_dYDX
_dBKL
_dCLE
_dIA5
_dTOH
_dYDXCP
_dBTCTA
_dGMP
_dNAM
_dASC
_dVP@
_dZGV
_dEHH
_dC9Z
_dVRC
_dIDU
_dOCLCF
_dOCLCQ
_dOCLCO
_dAW3
_dMUB
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_dOCLCO
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019 _a910702592
_a915751970
_a978560556
_a983212533
_a986489208
020 _a9781481463331
_q(hardback)
020 _a1481463330
_q(hardback)
020 _a9781481463348
_q(paperback)
020 _a1481463349
_q(paperback)
020 _z9781481463355
_q(ebook)
035 _a(OCoLC)921142245
_z(OCoLC)910702592
_z(OCoLC)915751970
_z(OCoLC)978560556
_z(OCoLC)983212533
_z(OCoLC)986489208
042 _alcac
_apcc
050 0 0 _aYA PZ 7 .R33593
_bAl 2015
049 _aVF$A
100 1 _aReynolds, Jason,
_eauthor.
245 1 0 _aAll American boys /
_cJason Reynolds, Brendan Kiely.
250 _aFirst edition.
264 1 _aNew York :
_bAtheneum Books for Young Readers,
_c2015
264 4 _c2015
300 _a316 pages ;
_c22 cm
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
500 _a"A Caitlyn Dlouhy Book."
520 _aThat's the sidewalk graffiti that started it all... Well, no, actually, a lady tripping over Rashad at the store, making him drop a bag of chips, was what started it all. Because it didn't matter what Rashad said next -- that it was an accident, that he wasn't stealing -- the cop just kept pounding him. Over and over, pummeling him into the pavement. So then Rashad, an ROTC kid with mad art skills, was absent again... and again... stuck in a hospital room. Why? Because it looked like he was stealing. And he was a black kid in baggy clothes. So he must have been stealing. And that's how it started. And that's what Quinn, a white kid, saw. He saw his best friend's older brother beating the daylights out of a classmate. At first Quinn doesn't tell a soul... He's not even sure he understands it. And does it matter? The whole thing was caught on camera, anyway. But when the school -- and nation -- start to divide on what happens, blame spreads like wildfire fed by ugly words like "racism" and "police brutality." Quinn realizes he's got to understand it, because, bystander or not, he's a part of history. He just has to figure out what side of history that will be. Rashad and Quinn -- one black, one white, both American -- face the unspeakable truth that racism and prejudice didn't die after the civil rights movement. There's a future at stake, a future where no one else will have to be absent because of police brutality. They just have to risk everything to change the world. Cuz that's how it can end.
526 0 _aAccelerated Reader
_c4.9.
526 0 _aAR
_bUG
_c4.9
_d10.
586 _aCoretta Scott King Author Honor, 2016
650 0 _aRace relations
_vJuvenile fiction.
650 0 _aRacism
_vJuvenile fiction.
650 0 _aRacial profiling in law enforcement
_vJuvenile fiction.
650 0 _aPolice brutality
_vJuvenile fiction.
650 0 _aAfrican Americans
_vJuvenile fiction.
650 1 _aRace relations
_vFiction.
650 1 _aRacism
_vFiction.
650 1 _aRacial profiling in law enforcement
_vFiction.
650 1 _aPolice brutality
_vFiction.
650 1 _aAfrican Americans
_vFiction.
650 4 _aAfrican Americans
_vFiction.
650 4 _aRace relations
_vFiction.
650 4 _aRacism
_vFiction.
655 0 _aYoung adult fiction.
700 1 _aKiely, Brendan,
_d1977-
_eauthor.
994 _aC0
_bVF$
999 _c144974
_d144974