000			03351cam a2200469 a 4500
001			u88615
003			SIRSI
005			20251119153557.0
008			100805s2011 ctua b 001 0 eng
010			_a 2010033306
040			_aDLC _beng _cDLC _dYDX _dYDXCP _dERASA _dBWX _dEQO _dHTV _dNLGGC _dCDX _dGZM _dIG# _dAU@ _dCHRRO _dLMR _dUKMGB _dMIX _dORX _dBDX _dTULIB _dGTA _dTTU _dMOF _dNLE _dOCLCO _dOCLCA _dOCLCQ _dVF$
015			_aGBB0C1754 _2bnb
016	7		_a015668447 _2Uk
019			_a698442499 _a704463880 _a717400801 _a746475140 _a782040316
020			_a9780300169676 (cloth : alk. paper)
020			_a0300169671 (cloth : alk. paper)
035			_a(OCoLC)655303770 _z(OCoLC)698442499 _z(OCoLC)704463880 _z(OCoLC)717400801 _z(OCoLC)746475140 _z(OCoLC)782040316
043			_ae------
050	0	0	_aND 1432 .E85 _bH35 2011
049			_aVF$A
100	1		_aHall, Marcia B.
245	1	4	_aThe sacred image in the age of art : _bTitian, Tintoretto, Barocci, El Greco, Caravaggio / _cMarcia B. Hall.
260			_aNew Haven [Conn.] : _bYale University Press, _c�2011.
300			_aix, 310 pages : _billustrations (chiefly color) ; _c29 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references and index.
505	0	0	_gpt. 1, _tChanging times: -- _tProtestants and Catholics in dialogue on images -- _tThe dilemma of naturalism -- _gInterpreting and narrating the sacred image -- _tMichelangelo's Last judgment and the failure of the sacred image at midcentury -- _tThe decree and the didactic solution; -- _gpt. 2, _tThe affective response to Trent: -- _tTitian : his trip to Rome and after -- _tJacopo Tintoretto : sacred narrative and theater -- _tFederico Barocci : from here to ecstasy -- _tEl Greco : Italy transported to Spain -- _tCaravaggio : secularizing the sacred, sanctifying the secular -- _gConclusion -- _gAppendix. _tDecree of the twenty-fifth session of the Council of Trent.
520			_aUnderlying the religious art of the Renaissance is a tension between the needs of the Church and the impulse to create great works. This beautifully illustrated book presents sacred images from the 15th and 16th centuries, leading up to two pivotal events in 1563. The Council of Trent, which signified the beginning of the Counter-Reformation, defined requirements that curtailed the freedom of painters and patrons in creating art for churches, while the founding of the Accademia del Desegno in Florence symbolically acknowledged that artists had achieved the status of creators not craftsmen. The author takes a fresh look at some of the greatest painters of the Italian Renaissance not typically associated with sacred imagery and shows how they navigated their way through the paradox of 'limited freedom' to forge a new kind of religious art. -- from Book Jacket.
600	1	0	_aCaravaggio, Michelangelo Merisi da, _d1573-1610.
600	1	0	_aBarocci, Federigo, _d1528-1612.
600	0	0	_aTitian, _dapproximately 1488-1576.
600	0	0	_aTintoretto, _d1518-1594.
600	0	0	_aMichelangelo Buonarroti, _d1475-1564.
600	0	0	_aGreco, _d1541?-1614.
650		0	_aPainting, Renaissance.
650		0	_aChristian art and symbolism _zEurope _yRenaissance, 1450-1600.
650		0	_aCounter-Reformation in art.
994			_aC0 _bVF$
999			_c144530 _d144530