000			05245cam a2200445 i 4500
001			u93828
003			SIRSI
005			20251119153536.0
008			150603s2016 nyuag b 001 0 eng
010			_a 2015022089
040			_aDLC _beng _erda _cDLC _dPUL _dBDX _dBTCTA _dYDXCP _dOCLCF _dLTSCA _dTWJ _dNLE _dCHVBK _dUIU _dWEA _dUKWOH _dOCLCO _dOCLCA _dVF$
015			_aGBB626191 _2bnb
019			_a946116213
020			_a9780199321285 _q(hardcover ; _qalk. paper)
020			_a0199321280
035			_a(OCoLC)910993819 _z(OCoLC)946116213
042			_apcc
050	0	0	_aREF ML 74.7 _b.O94 2016
049			_aVF$R
245	0	4	_aThe Oxford handbook of music and virtuality / _cedited by Sheila Whiteley and Shara Rambarran.
246	3	0	_aHandbook of music and virtuality
246	3	0	_aMusic and virtuality
264		1	_aNew York City : _bOxford University Press, _c2016.
264		4	_c2016
300			_axxxii, 679 pages : _billustrations, music ; _c26 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_aSeries statement from dust jacket.
505	0	0	_tThe Pre-Digital Virtual. _t"Seventeenth Heaven": Virtual Listening and its Discontents / _rChristian Lloyd ; _t"Nothing is Real": The Beatles as Virtual Performers / _rPhilip Auslander and Ian Inglis ; _tTom, Jerry and the Virtual Virtuoso / _rSheila Whiteley ; _tBring that Beat Back: Sampling as Virtual Collaboration / _rRowan Oliver ; _tAn Analysis of Virtuality in the Creation and Reception of the Music of Frank Zappa / _rPaul Carr -- _tVocaloids, Holograms and Virtual Pop Stars. _tVocaloids and Japanese Virtual Vocal Performance: The Cultural Heritage and Technological Futures of Vocal Puppetry / _rLouise H. Jackson and Mike Dines ; _tHatsune Miku and Japanese Virtual Idols / _rRafal Zaborowski ; _tHatsune Miku, 2.0Pac and Beyond: Rewinding and Fast-Forwarding the Virtual Pop Star / _rThomas Conner ; _t"Feel Good" with Gorillaz and "Reject False Icons": The Fantasy Worlds of the Virtual Group and their Creators / _rShara Rambarran -- _tSecond Life. _tAvatar Rockstars: Constructing Musical Personae in Virtual Worlds / _rTrevor S. Harvey ; _tPerforming Live in Second Life / _rJustin Gagen and Nicholas Cook ; _tLive Opera Performance in Second Life: Challenging Producers, Performers and the Audience / _rMarco Antonio Ch�aavez-Aguayo -- _tAuthorship, Creativity and Musicianship. _tWe Are, The Colors: Collaborative Narration and the Experimental Construction of a Non-Existent Band / _rAlon Ilsar and Charles Fairchild ; _tMusic in Perpetual Beta: Composition, Remediation, and "Closure" / _rPaul Draper and Frank Millward ; _tJustin Bieber Featuring Slipknot: Consumption as Mode of Production / _rRagnhild Br�vig-Hanssen ; _tHuman After All: Understanding Negotiations of Artistic Identity through the Music of Daft Punk / _rCora S. Palfy ; _tVirtual Bands: Recording Music Under the Big Top / _rDavid Tough -- _tCommunities and the World-Wide-Web. _t"Uploading" to Carnegie Hall: The First YouTube Symphony Orchestra / _rShzr Ee Tan ; _tThe Listener as Remixer: Mix Stems in Online Fan Community and Competition Contexts / _rSamantha Bennett ; _tSample Sharing: Virtual Laptop Ensemble Communities / _rBenjamin O'Brien ; _tStone Tapes: Ghost Box, Nostalgia, and Post-War England / _rDavid Pattie ; _tFrom Hypnagogia to Distroid: Postironic Musical Renderings of Personal Memory / _rAdam Trainer ; _tBands in Virtual Spaces, Social Networking and Masculinity / _rDanijela Bogdanovic -- _tSonic Environments and Musical Experience. _tFrom Environmental Sound to Virtual Environment Enhancing: Consuming Ambiance as Listening Practice / _rThomas Brett ; _tApp Music / _rJeremy Wade Morris ; _tAlternative Virtuality: Independent Micro Labels Facing the Ideological Challenge of Virtual Music Culture: The Case of Finnish Ektro Records / _rJuho Kaitaj�arvi-Tiekso ; _tEverybody Knows There is Here: Surveying the Indexi-Local in CBC Radio 3 / _rMichael Audette-Longo ; _tMind Usurps Program: Virtuality and the "New Machine Aesthetic" of Electronic Dance Music / _rBenjamin Halligan -- _tParticipatory Culture and Fundraising. _tVirtual Music, Virtual Money: The Impact of Crowdfunding Models on Creativity, Authorship and Identity / _rMark Thorley ; _tWith a Little Help from My Friends, Family and Fans: DIY, Participatory Culture and Social Capital in Music Crowdfunding / _rFrancesco D'Amato ; _tMusic and Crowdfunded Websites: Digital Patronage and Artist-Fan Interactivity / _rJustin Williams and Ross Wilson -- _tAuthors' Blog: Final Thoughts on Music and Virtuality / _rEdited by Paul Carr.
504			_aIncludes bibliographical references and index.
520	8		_aThis work, edited by Sheila Whiteley and Shara Rambarran, brings together a multidisciplinary group of scholars who address issues such as artistic agency, the relationship between reality and illusion or simulation, and the construction of musical personae, subjectivities, and identities in a virtual world.
650		0	_aMusic and the Internet.
650		0	_aMusic _xComputer network resources.
700	1		_aWhiteley, Sheila, _d1941-2015, _eeditor.
700	1		_aRambarran, Shara, _eeditor.
830		0	_aOxford handbooks.
994			_aC0 _bVF$
999			_c144051 _d144051