000			04334cgm a2200529Ia 4500
001			ocm51254665
003			OCoLC
005			20251028120622.0
007			vz
008			040901p19981995vau--- vleng d
020			_a1565854748
028	4	2	_a721-724 _bTeaching Co.
035			_a(Sirsi) i9781565854741
035			_a(Sirsi) i9781565854741
035			_a(Sirsi) i9781565854741
035			_a(Sirsi) i9781565854741
035			_a(Sirsi) i9781565854741
035			_z(Sirsi) 135436
040			_aNXW _cNXW _dOCLCQ _dXFF _dOCLCQ _dVF$
090			_aCD ML 410 .B1 B333 1998
245	0	0	_aBach and the High Baroque _h[videorecording] / _cRobert Greenberg.
260			_aChantilly, VA : _bTeaching Co., _cc1998.
300			_a8 DVDs _bsd., col. ; _c1/2 in. + _e4 lecture transcripts; 4 course guidebooks (22 cm.)
490	1		_aGreat courses
500			_aIn 4 containers, 22 x 15 x 9 cm.
500			_aCourse nos. 721-724.
504			_aBibliographical references in course guidebooks.
505	0	0	_gpart I: lecture 1. Introduction -- _glecture 2. _tChristmas, 1722 -- _glecture 3. _tIntroduction to the Baroque aesthetic -- _glecture 4. _tFugue -- _glecture 5. _tHistorical overview from Constantine (312-creation of Roman Christianity) through the great thinkers of the Baroque -- _glecture 6. _tStyle features of High Baroque music, part l: a musical glossary -- _glecture 7. _tStyle features of High Baroque music, part 2: a musical glossary, cont. -- _glecture 8. Style features of High Baroque music, part 3: a musical glossary, cont. _g(180 min.).
505	0	0	_gpart II: lecture 9. _tBach's inheritance, part 1: the Protestant Reformation and the rise of Lutheranism -- _glecture 10. _tLutheranism, the chorale and the chorale prelude -- _glecture 11. _tBach's inheritance, part 2: The development of the Italian style -- _glecture 12. _tThe Italian style, the operatic ideal and Lutheran spirituality are joined -- _glecture 13. _tVivaldi, Bach and the concerto, part 1: Vivaldi and the Venetian opera -- _glecture 14. _tVivaldi, Bach and the concerto, part 2: Vivaldi's model and Bach, Violin Concerto No. 2 in E Major -- _glecture 15. _tVivaldi, Bach and the concerto, part 2: Bach Violin Concerto No. 2 in E Major, cont. -- _glecture 16. _tVivaldi, Bach and the concrto, part 3: the Concerto Grosso and the Brandenburg Concerto No. 2.
505	0	0	_gpart III: lecture 17. _tBach and the French style, part 1: dance and the orchestral suite -- _glecture 18. _tDance and the orchestral suite, cont. -- _glecture 19. _tBach and the French style, part 2: the keyboard suite -- _glecture 20. _tThe keyboard suite, cont. -- _glecture 21. _tBach and opera, part 1: Cantata No. 140 Wachet auf, uns ruft die stimme -- _glecture 22. _tCanata No. 140 Wachet auf, uns ruft die stimme, cont. -- _glecture 23. _tBach and opera, part 2: opera buffa and the secular cantata, the Coffee Cantata -- _glecture 24. _tOpera buffa and the secular cantata, the Coffee Cantata, cont.
505	0	0	_gpart IV: _tlecture 25. Bach transcendent: the Saint Matthew Passion, part 1 -- _glecture 26. _tBach transcendent: the Saint Matthew Passion, part 2 -- _glecture 27. _tBach transcendent: the Saint Matthew Passion, part 3 -- _glecture 28. _tBach transcendent: the Saint Matthew Passion, part 4 -- _glecture 29. _tBach transcendent: the Goldberg Variations, part 1 -- _glecture 30. _tBach transcendent: the Goldberg Variations, part 2 -- _glecture 31. _tBach transcendent: the Goldberg Variations, part 3 -- _glecture 32. _tBach transcendent: the Goldberg Variations, part 4.
511	0		_aLecturer, Robert Greenberg.
520			_aExplores both Bach the man and his music, as well as the rich musical environment that shaped and inspired him.
600	1	0	_aBach, Johann Sebastian, _d1685-1750 _xCriticism and interpretation.
650		0	_aMusic _y18th century.
650		0	_aMusic _y18th century _xHistory and criticism.
655		7	_aVideos (VHS) _2local
700	1		_aGreenberg, Robert, _d1954-
700	1		_aBach, Johann Sebastian, _d1685-1750. _tWorks. _kSelections.
710	2		_aTeaching Company.
830		0	_aGreat courses on tape.
999			_c138909 _d138909