000 04479cam a2200565 i 4500
001 ocn985072859
003 OCoLC
005 20251028093427.0
008 171110t20182018nyuaf b 001 0ceng c
010 _a 2017044836
035 _a(Sirsi) i9781627798341
040 _aLBSOR/DLC
_beng
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019 _a1031377414
020 _a9781627798341
_q(hardcover)
020 _a162779834X
035 _a(OCoLC)985072859
_z(OCoLC)1031377414
042 _apcc
043 _an-us---
050 0 0 _aML 410 .R6315
_bP87 2018
049 _aVF$A
100 1 _aPurdum, Todd S.
_eauthor.
245 1 0 _aSomething wonderful :
_bRodgers and Hammerstein's Broadway revolution /
_cTodd S. Purdum.
250 _aFirst edition.
264 1 _aNew York :
_bHenry Holt & Company,
_c2018.
264 4 _c2018
300 _ax, 386 pages, 16 unnumbered pages of plates :
_billustrations ;
_c25 cm
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
504 _aIncludes bibliographical references (pages 321-352) and index.
505 0 _aPrologue: All they cared about was the show -- The sentimentalist -- A quality of yearning -- Away we go -- Bustin' out -- So far -- Enchanted evening -- Parallel wives -- Catastrophic success -- Beyond Broadway -- Auf wiedersehen -- Walking alone -- Epilogue: Bloom and grow forever.
520 _a"A revelatory portrait of the creative partnership that transformed musical theater and provided the soundtrack to the American Century. They stand at the apex of the great age of songwriting, the creators of the classic Broadway musicals Oklahoma!, Carousel, South Pacific, The King and I, and The Sound of Music, whose songs have never lost their popularity or emotional power. Even before they joined forces, Richard Rodgers and Oscar Hammerstein II had written dozens of Broadway shows, but together they pioneered a new art form: the serious musical play. Their songs and dance numbers served to advance the drama and reveal character, a sharp break from the past and the template on which all future musicals would be built. Though different in personality and often emotionally distant from each other, Rodgers and Hammerstein presented an unbroken front to the world and forged much more than a songwriting team; their partnership was also one of the most profitable and powerful entertainment businesses of their era. They were cultural powerhouses whose work came to define postwar America on stage, screen, television, and radio. But they also had their failures and flops, and more than once they feared they had lost their touch. Todd S. Purdum's portrait of these two men, their creative process, and their groundbreaking innovations will captivate lovers of musical theater, lovers of the classic American songbook, and lovers in general. He shows that what Rodgers and Hammerstein wrought was truly something wonderful"--
_cProvided by publisher.
600 1 0 _aRodgers, Richard,
_d1902-1979.
600 1 0 _aHammerstein, Oscar,
_cII,
_d1895-1960.
600 1 7 _aHammerstein, Oscar,
_cII,
_d1895-1960.
_2fast
_0(OCoLC)fst01802247
600 1 7 _aRodgers, Richard,
_d1902-1979.
_2fast
_0(OCoLC)fst00016422
650 0 _aComposers
_zUnited States
_vBiography.
650 0 _aLyricists
_zUnited States
_vBiography.
650 0 _aMusicals
_zUnited States
_y20th century
_xHistory and criticism.
650 7 _aBIOGRAPHY & AUTOBIOGRAPHY
_xEntertainment & Performing Arts.
650 7 _aMusic
_xGenres & Styles
_xMusicals.
650 7 _aPERFORMING ARTS
_xTheater
_xBroadway & Musicals.
648 7 _a1900-1952
_2fast
655 4 _aNonfiction.
655 7 _aBiographies.
655 7 _aBiography.
655 7 _aCriticism, interpretation, etc.
994 _aC0
_bVF$
999 _c137575
_d137575