| 000 | 03478cam a2200445 i 4500 | ||
|---|---|---|---|
| 001 | ocn946160566 | ||
| 003 | OCoLC | ||
| 005 | 20251028093418.0 | ||
| 007 | cr cn|---||||| | ||
| 007 | ta |||||||||||||||||||| | ||
| 008 | 160922s2017 mdu b 001 0 eng | ||
| 010 | _a 2016019058 | ||
| 035 | _a(Sirsi) i9781442246270 | ||
| 040 |
_aDLC _beng _erda _cDLC _dYDXCP _dBTCTA _dBDX _dOCLCF _dSZR _dVMI _dKUA _dABG _dGZN _dVP@ _dERASA _dNHA _dOKJ _dCHVBK _dOMB _dLMR _dWHCCD _dZLM _dIGP _dUWW _dCNKEY _dCSB _dSFR _dCGN _dDLC _dUCW _dWYZ _dOCLCQ _dCSA _dOCLCQ _dVF$ |
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| 019 |
_a965461543 _a982626362 _a988815271 _a992582328 |
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| 020 |
_a9781442246270 _q(cloth ; _qalk. paper) |
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| 020 | _a1442246278 | ||
| 020 |
_z9781442246287 _q(electronic) |
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| 035 |
_a(OCoLC)946160566 _z(OCoLC)965461543 _z(OCoLC)982626362 _z(OCoLC)988815271 _z(OCoLC)992582328 |
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| 037 |
_bRowman & Littlefield Pub Inc, 4501 Forbes Blvd Ste 200, Lanham, MD, USA, 20706 _nSAN 253-2387 |
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| 042 | _apcc | ||
| 050 | 0 | 0 | _aHV 6558 .P45 2017 |
| 049 | _aVF$A | ||
| 100 | 1 |
_aPhillips, Nickie D., _eauthor. |
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| 245 | 1 | 0 |
_aBeyond blurred lines : _brape culture in popular media / _cNickie D. Phillips. |
| 264 | 1 |
_aLanham, Maryland : _bRowman & Littlefield, _c2017 |
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| 264 | 4 | _c2017 | |
| 300 |
_avii, 297 pages ; _c24 cm |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_avolume _bnc _2rdacarrier |
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| 500 | _aIncludes index. | ||
| 505 | 0 | _aAcknowledgments -- Rape culture : the evolution of a concept -- The mainstreaming of rape culture -- "Hey TV stop raping women" -- Geek spaces : "pretty girls pretending to be geeks" -- Geek spaces : feminist interventions and "witch hunts" -- Rape culture on campus: "real men don't hurt women" -- Reconciling panic and policy -- Appendix -- Resources -- Index -- About the author. | |
| 504 | _aIncludes bibliographical references (pages 193-292) and index. | ||
| 520 | _aFrom its origins in academic discourse in the 1970s to our collective imagination today, the concept of "rape culture" has resonated in a variety of spheres, including television, gaming, comic book culture, and college campuses. Beyond Blurred Lines : Rape Culture in Popular Media traces ways that sexual violence is collectively processed, mediated, negotiated, and contested by exploring public reactions to high-profile incidents and rape narratives in popular culture. The concept of rape culture was initially embraced in popular media-- mass media, social media, and popular culture-- and contributed to a social understanding of sexual violence that mirrored feminist concerns about the persistence of rape myths and victim-blaming. However, it was later challenged by skeptics who framed the concept as a moral panic. Nickie D. Phillips documents how the conversation shifted from substantiating claims of a rape culture toward growing scrutiny of the prevalence of sexual assault on college campuses. This, in turn, renewed attention toward false allegations, and away from how college enforcement policies fail victims and endanger accused young men. Ultimately, Phillips successfully lends insight into how the debates around rape culture, including microaggressions, gendered harassment, and so-called political correctness, inform our collective imaginations and shape our attitudes toward criminal justice and policy responses to sexual violence. -- Back cover. | ||
| 650 | 0 | _aRape. | |
| 650 | 0 | _aRape in mass media. | |
| 994 |
_aC0 _bVF$ |
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| 999 |
_c137121 _d137121 |
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