| 000 | 02814cam a2200421 i 4500 | ||
|---|---|---|---|
| 001 | ocn921867421 | ||
| 003 | OCoLC | ||
| 005 | 20251028093418.0 | ||
| 008 | 160217s2016 ilu b 001 0 eng | ||
| 010 | _a 2016007933 | ||
| 035 | _a(Sirsi) i9780830851355 | ||
| 035 | _a(Sirsi) i9780830851355 | ||
| 040 |
_aDLC _beng _erda _cDLC _dYDX _dYDXCP _dBTCTA _dBCT _dGGB _dBDX _dLNT _dXII _dUBY _dUWO _dOCLCO _dVF$ |
||
| 020 | _a9780830851355 (pbk. : alk. paper) | ||
| 020 | _a0830851356 (pbk. : alk. paper) | ||
| 035 | _a(OCoLC)921867421 | ||
| 042 | _apcc | ||
| 050 | 0 | 0 |
_aN 6494 .M64 _bA53 2016 |
| 049 | _aVF$A | ||
| 100 | 1 |
_aAnderson, Jonathan A., _d1977- _eauthor. |
|
| 245 | 1 | 0 |
_aModern art and the life of a culture : _bthe religious impulses of modernism / _cJonathan A. Anderson and William A. Dyrness. |
| 264 | 1 |
_aDowners Grove, Illinois : _bIVP Academic, and imprint of InterVarsity Press, _c2016 |
|
| 300 |
_a374 pages ; _c23 cm. |
||
| 336 |
_atext _2rdacontent |
||
| 337 |
_aunmediated _2rdamedia |
||
| 338 |
_avolume _2rdacarrier |
||
| 490 | 1 | _aStudies in Theology and the Arts | |
| 504 | _aIncludes bibliographical references (pages 339-360) and index. | ||
| 505 | 0 | _aPart 1. Critical contexts. Introduction: religion and the discourse of modernism -- H.R. Rookmaaker, Modern art and the death of a culture -- Part 2. Geographies, histories and encounters. France, Britain and the sacramental image -- Germany, Holland and northern romantic theology -- Russian icons, Dada liturgies and rumors of nihilism -- North America and the expressive image -- North America in the age of mass media. | |
| 520 | _aFor many Christians, engaging with modern art raises several questions: Is the Christian faith at odds with modern art? Does modernism contain religious themes? Nearly fifty years ago, Dutch art historian and theologian Hans Rookmaaker offered his answers to these questions when he published his groundbreaking work, Modern Art and the Death of a Culture. While appreciating Rookmaaker's invaluable contribution to the study of theology and the arts, this volume-coauthored by an artist and a theologian-responds to his work and offers its own answers to these questions by arguing that there were actually strong religious impulses that positively shaped modern visual art. This book, the first in IVP Academic's new Studies in Theology and the Arts series, brings together the disciplines of art history and theology and points to the signs of life in modern art. | ||
| 650 | 0 |
_aModernism (Art) _xThemes, motives. |
|
| 650 | 0 | _aChristianity and art. | |
| 600 | 1 | 0 |
_aRookmaaker, H. R. _q(Hendrik Roelof), _d1922-1977. _tModern art and the death of a culture. |
| 700 | 1 |
_aDyrness, William A., _eauthor. |
|
| 830 | 0 | _aStudies in theology and the arts. | |
| 994 |
_aC0 _bVF$ |
||
| 999 |
_c137094 _d137094 |
||