000			04144cam a2200505 a 4500
001			ocm40139820
003			OCoLC
005			20251028093417.0
008			990226s1998 enkab b 001 0 eng d
010			_a 99177938
035			_a(Sirsi) i9780192842664
040			_aUOK _beng _cDLC _dUOK _dZHY _dUKM _dTXI _dNLC _dBAKER _dNLGGC _dBTCTA _dYDXCP _dOCLCG _dYBM _dZWZ _dDEBSZ _dTULIB _dBDX _dZP2 _dDNN _dOCLCF _dOCLCQ _dF@N _dOCLCQ _dTLE _dOCLCQ _dNZPWA _dOCLCQ _dVMY _dMTG _dOCLCQ _dSAV _dVF$
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015			_a20010054669 rv? _2can
016			_a20010054669
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016			_a(AMICUS)000020377655
019			_a316508421 _a522512649 _a768488823
020			_a0192842668
020			_a9780192842664
020			_a0192842188 _q(pbk.)
020			_a9780192842183 _q(pbk.)
035			_a(OCoLC)40139820 _z(OCoLC)316508421 _z(OCoLC)522512649 _z(OCoLC)768488823
042			_alccopycat
043			_an------
050	0	0	_aE 98 .A7 _bB47 1998
049			_aVF$A
100	1		_aBerlo, Janet Catherine.
245	1	0	_aNative North American art / _cJanet Catherine Berlo and Ruth B. Phillips.
260			_aOxford ; _aNew York : _bOxford University Press, _c1998.
300			_aix, 291 pages : _billustrations (some color), color maps ; _c25 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
490	1		_aOxford history of art
504			_aIncludes bibliographical references (pages 254-273) and index.
505	0	0	_gChapter 1. _tAn introduction to the indigenous arts of North America. Art history and Native art -- _tWhat is "art"? Western discourses and Native American objects -- _tModes of appreciation : curiosity, specimen, artefact, and art -- _tWhat is an Indian? Clan, community, political structure, and art -- _tCosmology -- _tThe map of the cosmos -- _tThe nature of spirit -- _tDreams and the vision quest -- _tShamanism -- _tArt and the public celebration of pwoer -- _tThe power of personal adornment -- _t"Creativity is our tradition" : innovation and tradition in Native American art -- _tGender and the making of art -- _gChapter 2. _tThe southwest. _tThe southwest as a region -- _tThe ancient world -- _tFrom the colonial era to the modern Pueblos -- _tNavajo and Apache arts -- _gChapter 3. _tThe east. _tThe east as a region -- _tHunting cultures, burial practices, and early Woodlands art forms -- _tMississippian art and culture -- _tThe cataclysm of contact : the southeast -- _tThe early contact period in the northeast -- _tArts of the middle ground -- _tArts of self-adornment -- _gChapter 4. _tThe west. _tIntroduction -- _tThe Great Plains -- _tThe intermontaine region : an artistic crossroads -- _tThe far west : arts of California and the Great Basin -- _gChapter 5. _tThe north. _tGeography, environment, and language in the north -- _tSub-arctic clothing : art to honour and protect -- _tThe Arctic -- _gChapter 6. _gThe northwest coast. _tOrigins -- _tThe early contact period -- _tStyles and techniques -- _tWestern connoisseurship and Northwest Coast art -- _tShamanism -- _tCrest art -- _tThe potlatch -- _tArt, commodity, and oral tradition -- _tNorthwest Coast art in the twentieth century -- _gChapter 7. _tThe twentieth century : trends in modern Native art. _tQuestions of definition -- _tCommoditization and contemporary art -- _tMoments of beginning -- _tThe southern Plains and the Kiowa five -- _tThe Southwest and the "Studio" style -- _tThe display and marketing of American Indian art : exhibitions, mural projects, and competitions -- _tNative American modernisms, 1950-80 -- _tInstitutional frameworks and modernisms in Canada -- _tPostmodernism, installation, and other post-studio art.
520			_aExplores the indigenous arts of the U.S. and Canada from the early pre-Columbian period to the present day, stressing the conceptual and iconographic continuities over five centuries and across an immensely diverse range of regions.
650		0	_aIndian art _zNorth America.
700	1		_aPhillips, Ruth B. _q(Ruth Bliss), _d1945-
830		0	_aOxford history of art.
994			_aC0 _bVF$
999			_c137061 _d137061