| 000 | 02642cam a2200421 a 4500 | ||
|---|---|---|---|
| 001 | ocm45829408 | ||
| 003 | OCoLC | ||
| 005 | 20251028093417.0 | ||
| 008 | 010611s2001 enkabc b 001 0 eng | ||
| 010 | _a 2001269631 | ||
| 035 | _a(Sirsi) i9780192842374 | ||
| 040 |
_aUKM _beng _cDLC _dUKM _dTJC _dNYP _dBAKER _dNLGGC _dGK8 _dYDXCP _dBTCTA _dAU@ _dCHVBK _dRV8 _dTULIB _dMNE _dOCLCF _dI8M _dOCLCQ _dSFR _dOCLCQ _dCSJ _dVF$ |
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| 015 |
_aGBA1Z5898 _2bnb |
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| 019 |
_a60562594 _a150842847 _a963772041 |
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| 020 | _a0192842374 | ||
| 020 | _a9780192842374 | ||
| 035 |
_a(OCoLC)45829408 _z(OCoLC)60562594 _z(OCoLC)150842847 _z(OCoLC)963772041 |
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| 037 |
_bOxford Univ Pr, 2001 Evans rd, Cary, NC, USA, 27513 _nSAN 202-5892 |
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| 042 | _alccopycat | ||
| 050 | 0 | 0 |
_aN 5610 _b.B295 2001 |
| 049 | _aVF$A | ||
| 100 | 1 |
_aBeard, Mary, _d1955- |
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| 245 | 1 | 0 |
_aClassical art : _bfrom Greece to Rome / _cMary Beard and John Henderson. |
| 260 |
_aOxford : _bOxford University Press, _c2001. |
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| 300 |
_a298 pages : _billustrations (some color), maps, portraits ; _c24 cm. |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_avolume _bnc _2rdacarrier |
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| 490 | 1 | _aOxford history of art | |
| 504 | _aIncludes bibliographical references (pages 268-279) and index. | ||
| 505 | 0 | 0 |
_gCh. 1. _tPainting Antiquity: Rediscovering Art -- _gCh. 2. _tMoving Statues: Art in the Age of Imitation -- _gCh. 3. _tSensuality, Sexuality, and the Love of Art -- _gCh. 4. _tSizing up Power: Masters of Art -- _gCh. 5. _tFacing up to Antiquity: Art to the Life. |
| 520 | 0 | _aThe stunning masterpieces of Ancient Greece and Rome are fundamental to the story of art in Western culture and to the origins of art history. The expanding Greek world of Alexander the Great had an enormous impact on the Mediterranean superpower of Rome. Generals, rulers, and artists seized, imitated, and re-thought the stunning legacy of Greek painting and sculpture, culminating in the greatest art-collector the world had ever seen: the Roman emperor Hadrian. This exciting new look at Classical art starts with the excavation of the buried city of Pompeii, and investigates the grandiose monuments of ancient tyrants, and the sensual beauty of Apollo and Venus. Concluding with that most influential invention of all, the human portrait, it highlights the re-discovery of Classical art in the modern world, from the treasure hunts of Renaissance Rome to scientific retrieval of artworks in the twenty-first century. | |
| 650 | 0 | _aArt, Classical. | |
| 700 | 1 |
_aHenderson, John, _d1948- |
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| 830 | 0 | _aOxford history of art. | |
| 994 |
_aC0 _bVF$ |
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| 999 |
_c137059 _d137059 |
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