| 000 | 02515cam a2200385 a 4500 | ||
|---|---|---|---|
| 001 | ocm48753854 | ||
| 003 | OCoLC | ||
| 005 | 20251028093417.0 | ||
| 008 | 020718s2002 enkabc b 001 0 eng | ||
| 010 | _a 2002510289 | ||
| 035 | _a(Sirsi) i9780192842435 | ||
| 040 |
_aUKM _beng _cDLC _dUKM _dMUQ _dBAKER _dNLGGC _dBTCTA _dYDXCP _dITJCU _dHEBIS _dORX _dTULIB _dDEBBG _dVMC _dAUGEN _dOCLCF _dOCLCQ _dDDD _dUEJ _dZ@L _dOCLCQ _dWLU _dVF$ |
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| 015 |
_aGBA2Z6400 _2bnb |
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| 020 | _a0192842439 | ||
| 020 | _a9780192842435 | ||
| 035 | _a(OCoLC)48753854 | ||
| 042 | _alccopycat | ||
| 050 | 0 | 0 |
_aN 5970 _b.N44 2002 |
| 049 | _aVF$A | ||
| 100 | 1 | _aNees, Lawrence. | |
| 245 | 1 | 0 |
_aEarly medieval art / _cLawrence Nees. |
| 260 |
_aOxford ; _aNew York : _bOxford University Press, _c2002. |
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| 300 |
_a272 pages : _billustrations (some color), color maps, portraits ; _c24 cm. |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_avolume _bnc _2rdacarrier |
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| 490 | 1 | _aOxford history of art | |
| 504 | _aIncludes bibliographical references (pages 250-253) and index. | ||
| 505 | 0 | _aCh. 1. The Roman Language of Art -- Ch. 2. Earliest Christian Art -- Ch. 3. Conversion -- Ch. 4. Art for Aristocrats -- Ch. 5. Endings and Beginnings -- Ch. 6. Craftsmanship and Artistry -- Ch. 7. Saints and Holy Places -- Ch. 8. Holy Images -- Ch. 9. Word and Image -- Ch. 10. Art at Court -- Ch. 11. Expressive and Didactic Images -- Ch. 12. Towards a New Age. | |
| 520 | _a"The first millennium CE saw a rich and distinctive artistic tradition form in Europe. While books had long been central to the Christian religious tradition, education, and culture, they now became an important artistic medium, sometimes decorated with brilliant colours and precious metals. Lawrence Nees explores issues of artist patronage, craftsmanship, holy men and women, monasteries, courts, and the expressive and educational roles of artistic creation. He presents early Christian art within the late Roman tradition and the arts of the newly established kingdoms of northern Europe not as opposites, but as different aspects of a larger historical situation. This approach reveals the onset of an exciting new visual relationship between the church and the populace throughout medieval Europe, restoring a previously marginalized subject to a central place in our artistic and cultural heritage."--Back cover. | ||
| 650 | 0 | _aArt, Medieval. | |
| 830 | 0 | _aOxford history of art. | |
| 994 |
_aC0 _bVF$ |
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| 999 |
_c137058 _d137058 |
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