| 000 | 02817cam a2200457 i 4500 | ||
|---|---|---|---|
| 001 | ocm45829396 | ||
| 003 | OCoLC | ||
| 005 | 20251028093417.0 | ||
| 008 | 010827s2001 enkab b 001 0 eng | ||
| 010 | _a 2001273421 | ||
| 035 | _a(Sirsi) i9780192842411 | ||
| 040 |
_aUKM _beng _erda _cDLC _dUKM _dBAKER _dNLGGC _dYDXCP _dBTCTA _dCDX _dGEBAY _dEXW _dZWZ _dCNCGM _dTULIB _dDEBBG _dOCLCF _dOCLCQ _dJAO _dOCLCO _dSFR _dKKX _dOCL _dCSJ _dVF$ |
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| 015 |
_aGBA130764 _2bnb |
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| 019 |
_a46984716 _a48469064 _a841942375 _a990656199 |
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| 020 | _a0192842412 | ||
| 020 | _a9780192842411 | ||
| 035 |
_a(OCoLC)45829396 _z(OCoLC)46984716 _z(OCoLC)48469064 _z(OCoLC)841942375 _z(OCoLC)990656199 |
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| 037 |
_bOxford Univ Pr, 2001 Evans rd, Cary, NC, USA, 27513 _nSAN 202-5892 |
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| 042 | _alccopycat | ||
| 050 | 0 | 0 |
_aN 5970 _b.S46 2001 |
| 049 | _aVF$A | ||
| 100 | 1 |
_aSekules, Veronica, _eauthor. |
|
| 245 | 1 | 0 |
_aMedieval art / _cVeronica Sekules. |
| 264 | 1 |
_aOxford : _bOxford University Press, _c2001 |
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| 264 | 4 | _c2001 | |
| 300 |
_avii, 228 pages : _billustrations (some color), maps ; _c24 cm. |
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| 336 |
_atext _btxt _2rdacontent |
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| 336 |
_astill image _bsti _2rdacontent |
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| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_avolume _bnc _2rdacarrier |
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| 490 | 1 | _aOxford history of art | |
| 504 | _aIncludes bibliographical references (pages 205-212) and index. | ||
| 505 | 0 | 0 |
_tMedieval Europe, showing cultural centres and principal trade routes -- _tEurope in the High Middle Ages--the main political divisions -- _tIntroduction: The Realms of Art -- _tA Sense of Place -- _tArtists -- _tArt and Power in the Latin Church from the Eleventh to the Thirteenth Century -- _tDesign and Devotion 1200-1500 -- _tImage and Learning -- _tArt and War -- _tPleasures. |
| 520 | 1 | _a"This look at medieval art conveys a very real sense of the impact of art on everyday life in Europe from 1000-1500. It examines the importance of art in the expression and spread of knowledge and ideas, including notions of the heroism and justice of war, and the dominant view of Christianity." "Taking its starting point from issues of contemporary relevance such as the environment, the identity of the artist, and the position of women, the book also highlights the attitudes and events specific to the sophisticated visual culture of the Middle Ages and goes on to link this period to the Renaissance. The fascinating question as to whether commercial and social activities between countries encouraged similar artistic taste and patronage, or contributed to the defining of cultural difference in Europe is fully explored."--Jacket. | |
| 650 | 0 | _aArt, Medieval. | |
| 650 | 0 |
_aArt and society _xHistory _yTo 1500. |
|
| 650 | 0 |
_aArt and society _zEurope _xHistory _yTo 1500. |
|
| 830 | 0 | _aOxford history of art. | |
| 994 |
_aC0 _bVF$ |
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| 999 |
_c137057 _d137057 |
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