000			03619cam a2200373 a 4500
001			ocn681497414
003			OCoLC
005			20251028093413.0
008			101124s2011 nyuag b 001 0 eng
010			_a 2010050220
035			_a(Sirsi) i9780452297081
040			_aDLC _beng _cDLC _dIG# _dBTCTA _dSFR _dYDXCP _dABG _dTDF _dVP@ _dCDX _dBDX _dLEB _dWCH _dOCLCF _dAHS _dPMD _dZHB _dOCLCQ _dFEM _dVF$
019			_a951697245 _a966596931 _a967800409 _a973962775 _a980449793 _a985258707
020			_a9780452297081 _q(pbk.)
020			_a0452297087 _q(pbk.)
035			_a(OCoLC)681497414 _z(OCoLC)951697245 _z(OCoLC)966596931 _z(OCoLC)967800409 _z(OCoLC)973962775 _z(OCoLC)980449793 _z(OCoLC)985258707
050	0	0	_aMT 6 _b.G76 2011
049			_aVF$A
100	1		_aGreenberg, Robert, _d1954-
245	1	0	_aHow to listen to great music : _ba guide to its history, culture, and heart / _cRobert Greenberg.
260			_aNew York : _bPlume, _c2011.
300			_aix, 334 pages : _billustrations, music ; _c21 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_a"The great courses"--Spine.
504			_aIncludes bibliographical references (pages 323-324) and index.
505	0		_aUnderstanding and listening to music -- A mad dash through the roots of Western music -- The music of the medieval Church -- A necessary and invigorating excursion into the worlds of music theory and terminology -- Emotional exuberance and intellectual control : the paradox of Baroque art -- Play it, don't say it : the rise of instrumental music -- National styles : Italy and Germany (or, Why German music will never hit your eye like a big pizza pie and Italian music will never go from best to wurst) -- Fugue it! -- Opera : the Baroque expressive revolution in action -- Opera goes to church -- A new liturgy comes of age : Lutheran Baroque sacred music -- Instrumental form in Baroque era music -- Baroque era musical genres -- Enlightened is as enlightened does : an introduction to the Classical era -- Putting it all together : Classical era musical form, part one -- Classical era musical form, part two -- Classical era orchestral genres, part one -- Classical era orchestral genres, part two -- Send in the buffone : opera in the Classical era -- A revolutionary artist for a revolutionary time : Ludwig van Beethoven -- Beethoven's compositional innovations : when the going gets tough, the tough innovate -- Isn't it Romantic? : the music of the nineteenth century -- Structural problems : formal challenges in early Romantic music -- Going beyond Beethoven : Hector Berlioz's Symphony fantastique and the program symphony -- Nineteenth-century Italian opera : Rossini and bel canto -- Giuseppe Verdi : it's all about the people--dramatic truth in Italian opera -- Nineteenth-century German opera : von Weber and Wagner, nationalism and experimentation -- Of thee I sing : musical nationalism in the nineteenth century -- Romantic nationalism, Russian style -- A modern music for a modern world -- Revolutions, evolutions, and "-isms" galore : the making of a new music in the early twentieth century -- From Russia with rhythm : Igor Stravinsky -- No waltz in the park : Arnold Schoenberg's Vienna and Expressionism -- Postlude.
520			_aPresents a guide to the composers and masterpieces of Western music from medieval times up to the twenty-first century, covering such musical classifications as baroque, classical, romantic, and modern.
650		0	_aMusic appreciation.
650		4	_aMusic appreciation.
994			_aC0 _bVF$
999			_c136854 _d136854