| 000 | 02896cam a2200457 a 4500 | ||
|---|---|---|---|
| 001 | ocm45829423 | ||
| 003 | OCoLC | ||
| 005 | 20251028093409.0 | ||
| 008 | 010827s2001 enkab b 001 0 eng | ||
| 010 | _a 2001273423 | ||
| 035 | _a(Sirsi) i9780192842213 | ||
| 040 |
_aUKM _beng _cUKM _dDLC _dWCM _dBAKER _dNLGGC _dBTCTA _dYDXCP _dZWZ _dMNSBU _dTULIB _dOCLCF _dTLE _dCIA _dOCLCQ _dVF$ |
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| 015 |
_aGBA1Z5899 _2bnb |
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| 019 | _a779530917 | ||
| 020 | _a0192842218 | ||
| 020 | _a9780192842213 | ||
| 035 |
_a(OCoLC)45829423 _z(OCoLC)779530917 |
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| 042 | _alccopycat | ||
| 043 | _aa-ii--- | ||
| 050 | 0 | 0 |
_aN 7301 _b.M48 2001 |
| 049 | _aVF$A | ||
| 100 | 1 | _aMitter, Partha. | |
| 245 | 1 | 0 |
_aIndian art / _cPartha Mitter. |
| 260 |
_aOxford : _bOxford University Press, _c2001. |
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| 300 |
_av, 295 pages : _billustrations (some color), maps ; _c24 cm. |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_avolume _bnc _2rdacarrier |
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| 490 | 1 | _aOxford history of art | |
| 504 | _aIncludes bibliographical references, index and list of museums and websites. | ||
| 505 | 0 | _a1. Introduction -- 2. Buddhist Art and Architecture -- 3. Hindu Art and Architecture -- 4. Minority Traditions, Ideal Beauty, and Eroticism -- 5. The Turko-Afghan Sultanate of Delhi (1206-1526 CE)-- 6. The Mughal Empire (1526-1757) -- 7. Rajasthani and Pahari Kingdoms (c.1700-1900) -- 8. The Non-Canonical Arts of Tribal Peoples, Women, and Artisans -- 9. The British Raj: Westernization and Nationalism -- 10. Modernism in India -- 11. Art After Independence -- 12. The Contemporary Scene. | |
| 520 | _aThis concise yet lively new survey guides the reader through 5,000 years of Indian art and architecture. A rich artistic tradition is fully explored through the Hindu, Buddhist, Islamic, Colonial, and contemporary periods, incorporating discussion of modern Bangladesh and Pakistan, tribal artists, and the decorative arts. Combining a clear overview with fascinating detail, Mitter succeeds in bringing to life the true diversity of Indian culture. The influence of Islam on the Mughal court, which produced the world-famous Taj Mahal and exquisite miniature paintings, is closely examined. More recently, he discusses the nationalist and global concerns of contemporary art, including the rise of female artists, the stunning architecture of Charles Correa, and the vibrant art scene. The very particular character of Indian art is set within its cultural and religious milieu, raising important issues about the profound differences between Western and Indian ideas of beauty and eroticism in art. --Publisher. | ||
| 650 | 0 | _aArt, Indic. | |
| 650 | 0 |
_aArchitecture _zIndia. |
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| 650 | 4 |
_aArt, Indic _xHistory. |
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| 650 | 4 |
_aArt, Hindu _xHistory. |
|
| 650 | 4 |
_aArchitecture _zIndia _xHistory. |
|
| 830 | 0 | _aOxford history of art. | |
| 994 |
_aC0 _bVF$ |
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| 999 |
_c136655 _d136655 |
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