| 000 | 02536cam a2200397 i 4500 | ||
|---|---|---|---|
| 001 | ocn847985505 | ||
| 003 | OCoLC | ||
| 005 | 20251028093408.0 | ||
| 008 | 130603s2014 nyu bk 001 0 eng | ||
| 010 | _a 2013015064 | ||
| 035 | _a(Sirsi) i9780199751402 | ||
| 040 |
_aDLC _beng _erda _cDLC _dYDX _dOCLCO _dYDXCP _dBTCTA _dBDX _dCDX _dOCLCF _dUKMGB _dYBM _dCHVBK _dOCLCO _dKEC _dVF$ |
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| 016 | 7 |
_a016598859 _2Uk |
|
| 020 | _a9780199751402 | ||
| 020 | _a0199751404 | ||
| 020 | _a9780199751396 | ||
| 020 | _a0199751390 | ||
| 035 | _a(OCoLC)847985505 | ||
| 042 | _apcc | ||
| 050 | 0 | 0 |
_aML 3470 _b.P37 2014 |
| 049 | _aVF$A | ||
| 100 | 1 |
_aPartridge, Christopher H. _q(Christopher Hugh), _d1961- |
|
| 245 | 1 | 4 |
_aThe lyre of Orpheus : _bpopular music, the sacred, and the profane / _cChristopher Partridge. |
| 264 | 1 |
_aNew York : _bOxford University Press, _c2014. |
|
| 300 |
_aix, 356 pages ; _c25 cm |
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| 336 |
_atext _2rdacontent |
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| 337 |
_aunmediated _2rdamedia |
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| 338 |
_avolume _2rdacarrier |
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| 504 | _aIncludes bibliographical references ( pages 291-324), discography (pages 325-335) and index. | ||
| 505 | 0 | _aSociety and culture -- Emotion and meaning -- Transgression -- Romanticism -- Religion. | |
| 520 | _a"The myth of Orpheus articulates what social theorists have known since Plato: music matters. It is uniquely able to move us, to guide the imagination, to evoke memories, and to create spaces within which meaning is made. Popular music occupies a place of particular social and cultural significance. Christopher Partridge explores this significance, analyzing its complex relationships with the values and norms, texts and discourses, rituals and symbols, and codes and narratives of modern Western cultures. He shows how popular music's power to move, to agitate, to control listeners, to shape their identities, and to structure their everyday lives is central to constructions of the sacred and the profane. In particular, he argues that popular music can be important 'edgework,' challenging dominant constructions of the sacred in modern societies. Drawing on a wide range of musicians and musical genres, as well as a number of theoretical approaches from critical musicology, cultural theory, sociology, theology, and the study of religion, The Lyre of Orpheus reveals the significance and the progressive potential of popular music."--Back cover. | ||
| 650 | 0 |
_aPopular music _xHistory and criticism. |
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| 650 | 0 |
_aMusic _xReligious aspects _xChristianity. |
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| 994 |
_aC0 _bVF$ |
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| 999 |
_c136587 _d136587 |
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