000			02253cam a2200385 i 4500
001			ocn907976296
003			OCoLC
005			20251028093407.0
008			150415t20152015wiu k 000 0 eng
010			_a 2015015001
035			_a(Sirsi) i9781480355132
040			_aDLC _erda _beng _cDLC _dIG# _dCDX _dYDXCP _dBTCTA _dUKMGB _dBDX _dVF$
016	7		_a016621818 _2Uk
019			_a855957987 _a906021615 _a914325749
020			_a9781480355132 _q(paperback)
020			_a1480355135 _q(paperback)
035			_a(OCoLC)907976296 _z(OCoLC)855957987 _z(OCoLC)906021615 _z(OCoLC)914325749
050	0	0	_aML 3470 _b.B444 2015
049			_aVF$A
100	1		_aBeinhorn, Michael.
245	1	0	_aUnlocking creativity : _ba producer's guide to making music and art / _cMichael Beinhorn.
264		1	_aMilwaukee, WI : _bHal Leonard Books, an imprint of Hal Leonard Corporation, _c2015.
264		4	_c2015
300			_aviii, 285 pages ; _c20 cm
336			_atext _2rdacontent
337			_aunmediated _2rdamedia
338			_avolume _2rdacarrier
504			_aIncludes discography.
505	0		_aThe record producer -- Prep work -- Preliminary pre-production -- Pre-production -- Who, and what, is an artist? -- Meditation and relaxation -- Artist manipulation -- What is this song about? -- Deconstructing "feel" -- The physiology of feel -- Drums and drummers -- Some guidelines for vocalists -- The significance of creative work -- Creative expression as communication -- Communication in the creative environment -- Delusional thinking from the depths of the music business, and beyond -- Harmonic layering and the creative use of distortion -- The contract -- The inner voice and the first step -- How do you perceive sound? -- Supplemental activities -- Free yourself from the need for an expected outcome -- Idling down -- Intent -- Identity -- The blind terror of performance -- What is artist development? -- The other creativity crisis -- The three forms of creativity -- An idea is a start point, not an end point -- Objectivity, incentive, and ownership.
650		0	_aPopular music _xProduction and direction.
650		0	_aSound recording industry.
650		0	_aCreation (Literary, artistic, etc.)
994			_aC0 _bVF$
999			_c136544 _d136544