000 04370cam a2200409 i 4500
001 ocn908192475
003 OCoLC
005 20251028093400.0
008 150423s2015 mduag b 001 0 eng
010 _a 2015016128
035 _a(Sirsi) i9780810886247
040 _aDLC
_erda
_beng
_cDLC
_dYDX
_dBTCTA
_dBDX
_dYDXCP
_dOCLCF
_dTDF
_dOCLCO
_dSFR
_dCDX
_dVF$
020 _a9780810886247
_qpaperback
_qalkaline paper
020 _a0810886243
_qpaperback
_qalkaline paper
020 _z9780810886254
_qelectronic book
035 _a(OCoLC)908192475
042 _apcc
050 0 0 _aMT 260
_b.N28 2015
049 _aVF$A
100 1 _aNardolillo, Jo,
_d1972-
_eauthor.
245 1 0 _aViolin secrets :
_b101 strategies for the advanced violinist /
_cJo Nardolillo ; illustrations by T.M. Larsen.
246 3 _aViolin secrets :
_bOne hundred one strategies for the advanced violinist
264 1 _aLanham, Maryland :
_bRowman & LIttlefield Publishing Group, Inc.,
_c2015
300 _axii, 182 pages ;
_c26 cm.
336 _atext
_btxt
_2rdacontent
336 _anotated music
_bntm
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
490 1 _aMusic secrets for the advanced musician
504 _aIncludes bibliographical references and index.
505 0 _aIntonation. How to play in tune ; Octave hand frame ; Finger patterns ; Fingerboard mapping ; No fixing ; Ševcik's paradox ; Which intonation? ; Using overtones ; Using a tuner to improve intonation ; Tuning fifths ; Tuning octaves ; Frog fingers -- The left hand. Don't slap the puppy ; Maximum velocity 1 (Take it easy) ; Maximum belocity 2 (Bursts) ; The right fingerings by pattern ; The right fingerings by color ; Clear false harmonics ; Popping left-hand pizzicato ; Reaching 10ths ; Small-hand technique -- Coordinating the bow and fingers -- Shifting and playing high. Zen and the art of shifting ; The right shift ; Shifting to high positions ; Reaching the end of the fingerboard without getting hurt ; The Heifetz move ; No pressure ; Using the bow to help shifting ; The best shift may be no shift -- Vibrato strategies. Know your vibrato ; Get control of your vibrato ; Achieving continuous vibrato ; Vibrato on double stops and chords ; Vibrato tricks for the fourth finger ; Electroshock vibrato ; Shimmer vibrato ; Cello vibrato ; Vibrato sculpture -- Tone and the bow. Know your bow hold ; The bow as a lever ; Default setting ; Gravity is your friend ; The hidden enemy ; Crushing the sound ; Hitting a moving target ; Playing into the curve ; How to make your bow longer ; Pop and float ; Mastering spiccato ; Sizzling sautill�e ; Flying bow strokes ; Fabulous flautando ; Tremolo ; Using the left hand to improve tone ; The law of inertia ; Don't be a slave to your bow -- Practice strategies. Now practice ; Practice concentrate ; Never pay rent again ; Divide and conquer ; Skeletons ; When slow practice isn't enough part 1 (Add-a-Note) ; When slow practice isn't enough part 2 (Looping) ; When slow practice isn't enough part 3 (Burst practice) ; When slow practice isn't enough part 4 (Rhythms) ; When slow practice isn't enough part 5 (Notching) ; Improving your technique in just fifteen minutes a day ; Using etudes to prepare repertoire ; Journaling ; Building your practice haven ; Team practice ; Your best friend, the metronome -- Artistry. Start from the music ; Learning polyphonic Bach ; It's all opera ; Playing powerful chords ; Brilliant passagework through lyrical preparation ; Shaping the phrase in fast detach�e´ ; The climax ; Cultivating your unique voice ; Choosing the right edition -- Performance strategies. Stage makeup ; Practice performing ; Firewalls ; Overcoming stage fright ; Connecting with the audience -- Chamber music strategies. Groups who play together stay together ; Successful rehearsals when no one is in charge ; Playing blind ; Keeping the score ; No barriers -- Orchestra strategies. Sharing a part ; Being a team player ; Concertmaster ; Preparing orchestra music ; Faking ; Building your orchestral library ; Mastering audition excerpts ; Playing the auditions game ; Bonus secret 101: Mirroring.
650 0 _aViolin
_xInstruction and study.
700 1 _aLarsen, T. M.
_eillustrator.
830 0 _aMusic secrets for the advanced musician.
994 _aC0
_bVF$
999 _c136172
_d136172