000 03237cam a2200397Ii 4500
001 ocn881094034
003 OCoLC
005 20251028093347.0
008 140605s2015 nyuacf b 001 0 eng d
035 _a(Sirsi) i9781594488498
040 _aYDXCP
_beng
_erda
_cYDXCP
_dBTCTA
_dOCLCQ
_dBDX
_dOCLCQ
_dWIM
_dUKMGB
_dSFR
_dOCLCF
_dABG
_dCDX
_dVP@
_dCOO
_dUAB
_dUPZ
_dINR
_dVF$
015 _aGBB4E5964
_2bnb
016 7 _a016975290
_2Uk
020 _a9781594488498 (hardback)
020 _a1594488495 (hardback)
035 _a(OCoLC)881094034
043 _an-us---
050 4 _aML 3477
_b.Y34 2015
049 _aVF$A
100 1 _aYagoda, Ben,
_eauthor.
245 1 4 _aThe B side :
_bthe death of Tin Pan Alley and the rebirth of the great American song /
_cBen Yagoda.
246 1 4 _aB-side
264 1 _aNew York :
_bRiverhead Books, a member of Penguin Group (USA),
_c2015.
300 _a310 pages, 16 unnumbered pages of plates :
_billustrations, portraits ;
_c24 cm
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
504 _aIncludes bibliographical references (pages 286-291) and index.
505 0 _aPremises, premises -- Mr. Miller and Mr. Schwartz, 1954 -- I get a kick out of you, 1885-1933 -- Jukebox Saturday night, 1925-1942 -- As time goes by, 1941-1948 -- What happened to the music?, 1946-1954 -- Brill Building boys, and girl, 1950-1955 -- The big beat, 1951-1968 -- Fly me to the moon, 1939-1965 -- Do you believe in magic?, 1957-1965.
520 _aAn acclaimed cultural historian--drawing on previously untapped archival sources and interviews with such voices as Randy Newman, Jimmy Webb, Linda Ronstadt, and Herb Alpert--presents a social history of the great American songwriting era.
520 _a"Everybody knows and loves the American Songbook. But it's a bit less widely understood that in about 1950, this stream of great songs more or less dried up. All of a sudden, what came over the radio wasn't Gershwin, Porter, and Berlin, but "Come on-a My House" and "How Much Is That Doggie in the Window?" Elvis and rock and roll arrived a few years later, and at that point the game was truly up. What happened, and why? In The B Side, acclaimed cultural historian Ben Yagoda answers those questions in a fascinating piece of detective work. Drawing on previously untapped archival sources and on scores of interviews--the voices include Randy Newman, Jimmy Webb, Linda Ronstadt, and Herb Alpert--the book illuminates broad musical trends through a series of intertwined stories. Among them are the battle between ASCAP and Broadcast Music, Inc.; the revolution in jazz after World War II; the impact of radio and then television; and the bitter, decades-long feud between Mitch Miller and Frank Sinatra. The B Side is about taste, and the particular economics and culture of songwriting, and the potential of popular art for greatness and beauty. It's destined to become a classic of American musical history" --
_cfrom publisher's web site.
650 0 _aPopular music
_zUnited States
_xHistory and criticism.
650 0 _aPopular music
_xWriting and publishing
_zUnited States
_xHistory and criticism.
994 _aC0
_bVF$
999 _c135504
_d135504