| 000 | 02532cam a2200409 i 4500 | ||
|---|---|---|---|
| 001 | ocn827841362 | ||
| 003 | OCoLC | ||
| 005 | 20251028093342.0 | ||
| 008 | 130104s2013 nyua b 001 0 eng | ||
| 010 | _a 2013000191 | ||
| 035 | _a(Sirsi) i9780199766994 | ||
| 040 |
_aDLC _beng _erda _cDLC _dYDXCP _dBTCTA _dOCLCO _dUKMGB _dBDX _dNGU _dCDX _dPUL _dNLGGC _dKZK _dCHVBK _dVF$ |
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| 016 | 7 |
_a016488641 _2Uk |
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| 019 |
_a827841363 _a880837235 |
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| 020 | _a9780199766994 (hardback : alk. paper) | ||
| 020 | _a0199766991 (hardback : alk. paper) | ||
| 020 | _a9780199767007 (alk. paper) | ||
| 020 | _a0199767009 (alk. paper) | ||
| 035 |
_a(OCoLC)827841362 _z(OCoLC)827841363 _z(OCoLC)880837235 |
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| 042 | _apcc | ||
| 050 | 0 | 0 |
_aPN 1992.8 .M87 _bV48 2013 |
| 049 | _aVF$A | ||
| 100 | 1 | _aVernallis, Carol. | |
| 245 | 1 | 0 |
_aUnruly media : _bYouTube, music video, and the new digital cinema / _cCarol Vernallis. |
| 264 | 1 |
_aNew York : _bOxford University Press, _c[2013] |
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| 300 |
_ax, 354 pages : _billustrations ; _c24 cm. |
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| 336 |
_atext _2rdacontent |
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| 337 |
_aunmediated _2rdamedia |
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| 338 |
_avolume _2rdacarrier |
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| 504 | _aIncludes bibliographical references (pages 289-334) and index. | ||
| 505 | 0 | _aNew digital cinema. The new cut-up cinema ; The audiovisual turn and post-classical cinema ; Music video into post-classical cinema ; Moulin Rouge : delirious cinema ; Music video, songs, sound : Eternal sunshine of the spotless mind ; Reciprocity, Bollywood and music video : Mani Ratnam's Dil se and Yuva -- YouTube. YouTube aesthetics ; Audiovisual change : viral web media and the Obama campaign ; Refiguring music video : Beyonc�e's 'video phone' -- Music video. Music video's second aesthetic? ; Digital style : Francis Lawrence and Dave Meyers ; A music video canon? | |
| 520 | _aUnruly Media argues that we are the crest of a new international style in which sonic and visual parameters become heightened and accelerated. This audiovisual turn calls for new forms of attention. Post-classical cinema, with its multi-plot narratives and flashy style, fragments under the influence of audiovisual numbers and music-video-like sync. Music video becomes more than a way of selling songs. YouTube's brief, low-res clips encompass many forms and foreground reiteration, graphic values and affective intensity. These three media are riven by one another ... | ||
| 650 | 0 |
_aMusic videos _xHistory and criticism. |
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| 650 | 0 |
_aDigital media _xTechnological innovations. |
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| 994 |
_aC0 _bVF$ |
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| 999 |
_c135230 _d135230 |
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