| 000 | 02930cam a2200445 i 4500 | ||
|---|---|---|---|
| 001 | ocn879582673 | ||
| 003 | OCoLC | ||
| 005 | 20251028093342.0 | ||
| 008 | 141120s2015 enk b 001 0 eng | ||
| 010 | _a 2014044637 | ||
| 035 | _a(Sirsi) i9781472579836 | ||
| 040 |
_aDLC _erda _beng _cDLC _dYDX _dYDXCP _dBTCTA _dBDX _dOCLCF _dOCLCO _dUKMGB _dCHVBK _dSTF _dVF$ |
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| 015 |
_aGBB4E5770 _2bnb |
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| 016 | 7 |
_a016975096 _2Uk |
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| 019 | _a898155318 | ||
| 020 | _a9781472579836 (pbk.) | ||
| 020 | _a1472579836 (pbk.) | ||
| 020 | _a9781472579843 (hardback) | ||
| 020 | _a1472579844 (hardback) | ||
| 035 |
_a(OCoLC)879582673 _z(OCoLC)898155318 |
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| 042 | _apcc | ||
| 050 | 0 | 0 |
_aML 3187.5 _b.M62 2015 |
| 049 | _aVF$A | ||
| 100 | 1 |
_aMoberg, Marcus, _d1978- _eauthor. |
|
| 245 | 1 | 0 |
_aChristian metal : _bhistory, ideology, scene / _cMarcus Moberg. |
| 264 | 1 |
_aLondon ; _aNew York : _bBloomsbury Academic, _c2015. |
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| 300 |
_axii, 188 pages ; _c24 cm. |
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| 336 |
_atext _2rdacontent |
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| 337 |
_aunmediated _2rdamedia |
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| 338 |
_avolume _2rdacarrier |
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| 490 | 1 | _aBloomsbury studies in religion and popular music | |
| 520 | _a"Christian metal has always defined itself in contrast to its non-Christian, secular counterpart, yet it stands out from nearly all other forms of contemporary Christian music through its unreserved use of metal's main musical, visual, and aesthetic traits. Christian metal is a rare example of a direct combination between evangelical Christianity and an aggressive and highly controversial form of popular music and its culture. Christian Metal: History, Ideology, Scene is the first full exploration of the phenomenon of Christian metal music, its history, main characteristics, development, diversification, and key ideological traits from its formative years in the early 1980s to the present day. Marcus Moberg situates it in a wider international evangelical cultural environment, accounts for its diffusion on a transnational scale, and explores what religious meanings and functions Christian metal holds for its own musicians and followers. Engaging with wider debates on religion, media and popular culture, Christian Metal: History, Ideology and Scene is a much-needed resource in the study of religion and popular music"--Provided by publisher. | ||
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _aChristian metal : origins, definition and historical development -- Verbal, visual and Aasthetic traits -- The experiential, sensory and bodily dimension -- The contemporary transnational scene -- Main ideological and discursive traits -- Concluding remarks : Christian metal, alternative religious expression and identity. | |
| 650 | 0 |
_aContemporary Christian music _xHistory and criticism. |
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| 650 | 0 |
_aHeavy metal (Music) _xHistory and criticism. |
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| 830 | 0 | _aBloomsbury studies in religion and popular music. | |
| 994 |
_aC0 _bVF$ |
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| 999 |
_c135203 _d135203 |
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