000 03597cam a2200457Ma 4500
001 ocn894611508
003 OCoLC
005 20251028093335.0
008 141029r20142013enka 001 0 eng d
035 _a(Sirsi) i9781107504318
040 _aUKMGB
_beng
_cUKMGB
_dOCLCO
_dYDXCP
_dBTCTA
_dMAC
_dOCLCF
_dVF$
015 _aGBB4C3938
_2bnb
016 7 _a016932809
_2Uk
019 _a893522213
020 _a9781107504318 (pbk.)
020 _a1107504317 (pbk.)
035 _a(OCoLC)894611508
_z(OCoLC)893522213
049 _aVF$A
090 _aML 197 .M87 2015
245 0 0 _aMusic and protest in 1968 /
_cedited by Beate Kutschke and Barley Norton.
264 1 _aCambridge :
_bCambridge University Press,
_c2015.
300 _a327 pages ; 25 cm.
336 _atext
_2rdacontent
336 _astill image
_2rdacontent
337 _aunmediated
_2rdamedia
338 _avolume
_2rdacarrier
490 0 _aMusic since 1900
500 _aOriginally published: 2013.
504 _aIncludes bibliographical references and index.
505 0 _aExpressive revolutions: '1968' and music in the Netherlands -- Music as plea for political action: the presence of musicians in Italian protest movements around 1968 -- "This Is My Country": American popular music and political engagement in '1968' -- Spontaneity and Black Consciousness: South Africans imagining musical and political freedom in 1960s Europe -- Music and protest in Japan: the rise of underground folk song in '1968' -- Vietnamese popular song in '1968': war, protest and sentimentalism -- "There is No Revolution Without Song": 'new song' in Latin America -- "The Power of Music": anti-authoritarian music movements in Scandinavia in '1968' -- British rock: the short '1938', and the long -- '1968' and the experimental revolution in Britain -- Anti-authoritarian revolt by musical means on bothe sides of the Berlin Wall -- '1968' - the emergence of a protest culture in the popular music of the Eastern Bloc? -- Gendering '1968': womanhood in model works of the People's Republic of China and movie musicals of Hong Kong -- A revolution in sheep's wool stockings: early music and '1968' -- Music and May 1968 in France: practices, roles, representations
520 _a"Music was integral to the profound cultural, social and political changes that swept the globe in 1968. This collection of essays offers new perspectives on the role that music played in the events of that year, which included protests against the ongoing Vietnam War, the May riots in France and the assassination of Martin Luther King, Jr. From underground folk music in Japan to anti-authoritarian music in Scandinavia and Germany, Music and Protest in 1968 explores music's key role as a means of socio-political dissent not just in the US and the UK but in Asia, North and South America, Europe and Africa. Contributors extend the understanding of musical protest far beyond the narrow view of 'protest song' to explore how politics and social protest played out in many genres, including experimental and avant-garde music, free jazz, rock, popular song and film and theatre music." from back cover.
650 0 _aPopular music
_xSocial aspects
_xHistory
_y20th century.
650 0 _aPopular music
_xPolitical aspects
_xHistory
_y20th century.
650 0 _aPopular music
_y1961-1970
_xHistory and criticism.
650 0 _aProtest songs
_y20th century
_xHistory and criticism.
650 0 _aNineteen sixty-eight, A.D.
700 1 _aKutschke, Beate,
_eeditor.
700 1 _aNorton, Barley,
_d1971-
_eeditor.
994 _aC0
_bVF$
999 _c134843
_d134843