| 000 | 03597cam a2200457Ma 4500 | ||
|---|---|---|---|
| 001 | ocn894611508 | ||
| 003 | OCoLC | ||
| 005 | 20251028093335.0 | ||
| 008 | 141029r20142013enka 001 0 eng d | ||
| 035 | _a(Sirsi) i9781107504318 | ||
| 040 |
_aUKMGB _beng _cUKMGB _dOCLCO _dYDXCP _dBTCTA _dMAC _dOCLCF _dVF$ |
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| 015 |
_aGBB4C3938 _2bnb |
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| 016 | 7 |
_a016932809 _2Uk |
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| 019 | _a893522213 | ||
| 020 | _a9781107504318 (pbk.) | ||
| 020 | _a1107504317 (pbk.) | ||
| 035 |
_a(OCoLC)894611508 _z(OCoLC)893522213 |
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| 049 | _aVF$A | ||
| 090 | _aML 197 .M87 2015 | ||
| 245 | 0 | 0 |
_aMusic and protest in 1968 / _cedited by Beate Kutschke and Barley Norton. |
| 264 | 1 |
_aCambridge : _bCambridge University Press, _c2015. |
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| 300 | _a327 pages ; 25 cm. | ||
| 336 |
_atext _2rdacontent |
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| 336 |
_astill image _2rdacontent |
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| 337 |
_aunmediated _2rdamedia |
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| 338 |
_avolume _2rdacarrier |
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| 490 | 0 | _aMusic since 1900 | |
| 500 | _aOriginally published: 2013. | ||
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _aExpressive revolutions: '1968' and music in the Netherlands -- Music as plea for political action: the presence of musicians in Italian protest movements around 1968 -- "This Is My Country": American popular music and political engagement in '1968' -- Spontaneity and Black Consciousness: South Africans imagining musical and political freedom in 1960s Europe -- Music and protest in Japan: the rise of underground folk song in '1968' -- Vietnamese popular song in '1968': war, protest and sentimentalism -- "There is No Revolution Without Song": 'new song' in Latin America -- "The Power of Music": anti-authoritarian music movements in Scandinavia in '1968' -- British rock: the short '1938', and the long -- '1968' and the experimental revolution in Britain -- Anti-authoritarian revolt by musical means on bothe sides of the Berlin Wall -- '1968' - the emergence of a protest culture in the popular music of the Eastern Bloc? -- Gendering '1968': womanhood in model works of the People's Republic of China and movie musicals of Hong Kong -- A revolution in sheep's wool stockings: early music and '1968' -- Music and May 1968 in France: practices, roles, representations | |
| 520 | _a"Music was integral to the profound cultural, social and political changes that swept the globe in 1968. This collection of essays offers new perspectives on the role that music played in the events of that year, which included protests against the ongoing Vietnam War, the May riots in France and the assassination of Martin Luther King, Jr. From underground folk music in Japan to anti-authoritarian music in Scandinavia and Germany, Music and Protest in 1968 explores music's key role as a means of socio-political dissent not just in the US and the UK but in Asia, North and South America, Europe and Africa. Contributors extend the understanding of musical protest far beyond the narrow view of 'protest song' to explore how politics and social protest played out in many genres, including experimental and avant-garde music, free jazz, rock, popular song and film and theatre music." from back cover. | ||
| 650 | 0 |
_aPopular music _xSocial aspects _xHistory _y20th century. |
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| 650 | 0 |
_aPopular music _xPolitical aspects _xHistory _y20th century. |
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| 650 | 0 |
_aPopular music _y1961-1970 _xHistory and criticism. |
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| 650 | 0 |
_aProtest songs _y20th century _xHistory and criticism. |
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| 650 | 0 | _aNineteen sixty-eight, A.D. | |
| 700 | 1 |
_aKutschke, Beate, _eeditor. |
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| 700 | 1 |
_aNorton, Barley, _d1971- _eeditor. |
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| 994 |
_aC0 _bVF$ |
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| 999 |
_c134843 _d134843 |
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