000 02362cam a2200373 a 4500
001 ocn777656017
003 OCoLC
005 20251028093324.0
008 121005s2012 enkacg b 001 0 eng d
010 _a 2012562300
035 _a(Sirsi) i9780199697526
040 _aBTCTA
_beng
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016 7 _a016034657
_2Uk
020 _a9780199697526
020 _a0199697523
035 _a(OCoLC)777656017
042 _alccopycat
050 0 0 _aML 3800
_b.K485 2012
049 _aVF$A
100 1 _aKivy, Peter.
245 1 0 _aSounding off :
_beleven essays in the philosophy of music /
_cPeter Kivy.
250 _a1st ed.
260 _aOxford :
_bOxford University Press,
_c2012.
300 _axiv, 296 pages :
_billustrations, portraits, music ;
_c23 cm
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
504 _aIncludes bibliographical references and index.
505 0 _aMozart's skull -- The case of the purloined partitur -- A tale of two authenticities -- Ancient authenticities -- Operatic authenticity -- Messiah's message -- Is nothing sacred? -- Sound in sound -- Music, science, and semantics -- Authorial intention and the pure musical parameters -- Leonard Meyer's sonata.
520 _a"Sounding Off brings together a selection of essays on philosophy of music written by Peter Kivy--the leading expert on the subject. The essays fall into four groups, corresponding to Kivy's major interests. Part I contains two essays on the nature of musical genius. In Part II, three essays take up the subject of authenticity in performance, and explore what Kivy terms 'the authenticity of interpretation'. Part III contains four essays concerning the much discussed issues of musical representation and musical meaning. Finally, Part IV consists of three essays on the 'pure musical parameters': these are essays on 'music alone' or 'absolute music'--music as the pure, formal structure of (sometimes) expressive sound. Eight of the eleven essays presented here are previously unpublished, and the book includes two appendices which provide Kivy's responses to criticism."--Pub. webpage.
650 0 _aMusic
_xPhilosophy and aesthetics.
994 _aC0
_bVF$
999 _c134329
_d134329