000			03635cam a2200445 a 4500
001			ocn173136168
003			OCoLC
005			20251028093324.0
008			070914s2009 nyuafg b 001 0 eng
010			_a 2007038279
035			_a(Sirsi) i9780195328257
040			_aDLC _beng _cDLC _dBAKER _dBTCTA _dYDXCP _dUKM _dC#P _dBWX _dPUL _dCDX _dVP@ _dHEBIS _dALAUL _dMIX _dOCLCQ _dTUU _dPBE _dOCLCA _dOCLCQ _dOCLCO _dOCLCF _dOCLCQ _dVF$
015			_aGBA866995 _2bnb
016	7		_a014615316 _2Uk
020			_a9780195328257
020			_a0195328256
020			_a9780195328363
020			_a0195328361
035			_a(OCoLC)173136168
050	0	0	_aML 410 .B4 K56 2009
049			_aVF$A
100	1		_aKinderman, William.
245	1	0	_aBeethoven / _cWilliam Kinderman.
250			_a2nd ed.
260			_aOxford ; _aNew York : _bOxford University Press, _c2009.
300			_axiv, 414 p., [16] p. of plates : _bill., music ; _c24 cm.
504			_aIncludes bibliographical references (p. 371- 382) and indexes.
505	0		_aOverture -- The Bonn years -- The path to mastery : 1792-1798 -- Crisis and creativity : 1799-1802 -- The heroic style I : 1803-1806 -- The heroic style II : 1806-1809 -- Consolidation : 1810-1812 -- The Congress of Vienna period : 1813-1815 -- The Hammerklavier sonata : 1816-1818 -- Struggle : 1819-1822 -- Triumph : 1822-1824 -- The Galitzin quartets : 1824-1825 -- The last phase : 1826-1827.
520			_a"Combining musical insight with the most recent research, William Kinderman's Beethoven is both a richly drawn portrait of the man and a guide to his music. Kinderman traces the composer's intellectual and musical development from the early works written in Bonn to the Ninth Symphony and the late quartets, looking at compositions from different and original perspectives that show Beethoven's art as a union of sensuous and rational, of expression and structure. In analyses of individual pieces, Kinderman shows that the deepening of Beethoven's musical thought was a continuous process over decades of his life. In this new updated edition, Kinderman gives more attention to the composer's early chamber music, his songs, his opera Fidelio , and to a number of often-neglected works of the composer's later years and fascinating projects left incomplete. A revised view emerges from this of Beethoven's aesthetics and the musical meaning of his works. Rather than the conventional image of a heroic and tormented figure, Kinderman provides a more complex, more fully rounded account of the composer. Although Beethoven's deafness and his other personal crises are addressed, together with this ever-increasing commitment to his art, so too are the lighter aspects of his personality: his humor, his love of puns, his great delight in juxtaposing the exalted and the commonplace." -- Publisher description.
600	1	0	_aBeethoven, Ludwig van, _d1770-1827 _xCriticism and interpretation.
600	1	7	_aBeethoven, Ludwig van. _2swd
600	1	7	_aBeethoven, Ludwig van, _d1770-1827. _2fast _0(OCoLC)fst00042803
655		7	_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635
776	0	8	_iOnline version: _aKinderman, William. _tBeethoven. _b2nd ed. _dOxford ; New York : Oxford University Press, 2009 _w(OCoLC)636522330
856	4	2	_3Contributor biographical information _uhttp://catdir.loc.gov/catdir/enhancements/fy0913/2007038279-b.html
856	4	2	_3Publisher description _uhttp://catdir.loc.gov/catdir/enhancements/fy0913/2007038279-d.html
856	4	1	_3Table of contents only _uhttp://catdir.loc.gov/catdir/enhancements/fy0913/2007038279-t.html
994			_aC0 _bVF$
999			_c134294 _d134294