000			05534cam a2200433 i 4500
001			ocn869824842
003			OCoLC
005			20251028093322.0
008			140124s2013 enkag b 001 0 eng d
010			_a 2013565170
035			_a(Sirsi) i9780199608157
040			_aUKMGB _beng _erda _cUKMGB _dDLC _dEOS _dFOLLT _dERASA _dOCLCO _dBTCTA _dYDXCP _dNLGGC _dEYM _dUAT _dBDX _dMT4IT _dWTU _dAU@ _dCUI _dZLM _dHEBIS _dCDX _dOCLCQ _dOCLCO _dVRC _dVF$
015			_aGBB319197 _2bnb
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019			_a829960885 _a852223417 _a852689047 _a857536354 _a862784708 _a871243244
020			_a0199608156 _q(pbk.)
020			_a9780199608157 _q(pbk.)
035			_a(OCoLC)869824842 _z(OCoLC)829960885 _z(OCoLC)852223417 _z(OCoLC)852689047 _z(OCoLC)857536354 _z(OCoLC)862784708 _z(OCoLC)871243244
042			_alccopycat
050	0	0	_aML 3830 _b.P927 2013
049			_aVF$A
245	0	4	_aThe psychology of music in multimedia / _cedited by Siu-Lan Tan, Annabel J. Cohen, Scott D. Lipscomb, and Roger A. Kendall.
250			_aFirst edition.
264		1	_aOxford : _bOxford University Press, _c2013.
300			_axix, 432 pages : _billustrations, music ; _c24 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
505	0	0	_tIntroduction : The psychology of music in multimedia / _rAnnabel J. Cohen, Scott D. Lipscomb, Siu-Lan Tan, and Roger A. Kendall -- _tModels and Multidisciplinary Perspectives. _tCongruence-Association Model of music and multimedia : origin and evolution / _rAnnabel J. Cohen ; _tExperimental semiotics applied to visual, sound, and musical structures / _rRoger A. Kendall and Scott D. Lipscomb ; _tIntegrating media effects research and music psychology / _rMark Shevy ; _tMusical analysis for multimedia : a perspective from music theory / _rDavid Bashwiner ; _tEmotion and music in narrative films : a neuroscientific perspective / _rLars Kuchinke, Hermann Kappelhoff, and Stefan Koelsch -- _tCross-Modal Relations in Multimedia. _tPerceived congruence between auditory and visual elements in multimedia / _rShin-ichiro Iwamiya ; _tHow pitch and loudness shape musical space and motion / _rZohar Eitan ; _tCross-modal alignment of accent structures in multimedia / _rScott D. Lipscomb -- _tInterpretation and meaning. _tMusic videos and visual influences on music perception and appreciation : Should you want your MTV? / _rMarilyn G. Boltz ; _tMusic and memory in film and other multimedia : The Casablanca effect / _rBerthold Hoeckner and Howard C. Nusbaum -- _tApplications : music and sound in multimedia. _tChildren's media : The role of music and audio features / _rSandra L. Calvert ; _tPlaying with sound : The role of music and sound effects in gaming / _rMark Grimshaw, Siu-Lan Tan, and Scott D. Lipscomb ; _tMusic in television advertising and other persuasive media / _rMark Shevy and Kineta Hung ; _tAuditory icons, earcons, and displays : information and expression through sound / _rAgnieszka Roginska ; _tUnderstanding the impact of surround sound in multimedia / _rMark Kerins -- _tFuture research directions. _tFuture research directions for music and sound in multimedia / _rSiu-Lan Tan, Annabel J. Cohen, Scott D. Lipscomb, and Roger A. Kendall.
504			_aIncludes bibliographical references and indexes.
520	8		_aFor most of the history of film-making, music has played an integral role serving many functions - such as conveying emotion, heightening tension, and influencing interpretation and inferences about events and characters. More recently, with the enormous growth of the gaming industry and the Internet, a new role for music has emerged. However, all of these applications of music depend on complex mental processes which are being identified through research on human participants in multimedia contexts. This is the first book dedicated to this fascinating topic. This book presents a wide range of scientific research on the psychological processes involved in the integration of sound and image when engaging with film, television, video, interactive games, and computer interfaces. Collectively, the rich chapters in this edited volume represent a comprehensive treatment of the existing research on the multimedia experience, with the aim of disseminating the current knowledge base and inspiring future scholarship. The focus on empirical research and the strong psychological framework make this book an exceptional and distinctive contribution to the field. The international collection of contributors represents eight countries and a broad range of disciplines including psychology, musicology, neuroscience, media studies, film, and communications. Each chapter includes a comprehensive review of the topic and, where appropriate, identifies models that can be empirically tested. Part One presents contrasting theoretical approaches from cognitive psychology, philosophy, semiotics, communication, musicology, and neuroscience. Part Two reviews research on the structural aspects of music and multimedia, while Part Three focuses on research examining the influence of music on perceived meaning in the multimedia experience. Part Four explores empirical findings in a variety of real-world applications of music in multimedia.
650		0	_aMass media and music _xPsychological aspects.
700	1		_aTan, Siu-Lan, _d1963- _eeditor.
700	1		_aCohen, Annabel J., _d1947- _eeditor.
700	1		_aLipscomb, Scott David, _d1959- _eeditor.
700	1		_aKendall, Roger A., _eeditor.
994			_aC0 _bVF$
999			_c134212 _d134212