000			05621cam a2200421 i 4500
001			ocn858804873
003			OCoLC
005			20251028093314.0
008			140114s2013 enka b 001 0 eng d
010			_a 2013404106
035			_a(Sirsi) i9781844573417
040			_aERASA _beng _erda _cERASA _dDLC _dQGK _dCOD _dOUN _dZWZ _dOCLCO _dYDXCP _dBTCTA _dBDX _dUKMGB _dIQU _dCOO _dCIA _dCHVBK _dOCLCO _dLMR _dVF$
015			_aGBB384173 _2bnb
016	7		_a016498272 _2Uk
019			_a852224543 _a854889955 _a858824346
020			_a9781844573417 (softcover)
020			_a1844573419
035			_a(OCoLC)858804873 _z(OCoLC)852224543 _z(OCoLC)854889955 _z(OCoLC)858824346
042			_alccopycat
050	0	0	_aPN 1995.9 .D6 _bD56 2013
049			_aVF$A
245	0	4	_aThe documentary film book / _cedited by Brian Winston.
264		1	_aHoundmills, Basingstoke, Hampshire ; _aNew York : _bPalgrave Macmillan on behalf of the British Film Institute, _c2013.
300			_axv, 400 pages : _billustrations ; _c26 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
505	0		_aForeword: Why Documentaries Matter -- Introduction: The Filmed Documentary. PART I: DOCUMENTARY VALUES. The Question of Evidence, the Power of Rhetoric and Documentary Film / Bill Nichols -- 'I'll Believe It When I Trust the Source': Documentary Images and Visual Evidence / Carl Plantinga -- 'The Performance Documentary': The Performing Film-Maker, the Acting Subject / Stella Bruzzi -- On Truth, Objectivity and Partisanship: The Case of Michael Moore / Douglas Kellner -- CGI and the End of Photography as Evidence / Taylor Downing -- Drawn From Life: The Animated Documentary / Andy Glynne -- Dramadoc? Docudrama? The Limits and Protocols of a Televisual Form / Derek Paget -- Ambiguous Audiences / Annette Hill -- Life As Narrativised / Brian Winston -- The Dance of Documentary Ethics / Pratap Rughani -- Deaths, Transfigurations and the Future / John Corner. PART II: DOCUMENTARY PARADIGMS. Problems in Historiography: The Documentary Tradition Before Nanook of the North / Charles Musser -- John Grierson and the Documentary Film Movement / Ian Aitken -- Challenges For Change: Canada's National Film Board / Thomas Waugh and Ezra Winton -- Grierson's Legacies: Australia and New Zealand / Deane Williams -- New Deal Documentary and the North Atlantic Welfare State / Zoe Druick and Jonathan Kahanan -- The Triumph of Observationalism: Direct Cinema in the USA / Dave Saunders -- Russian and Soviet Documentary: From Vertov to Sokurov / Ian Christie -- The Radical Tradition in Documentary Film-making, 1920s-50s / Bert Hogenkamp -- Le Groupe des trente: The Poetic Tradition / Elena Von Kassel Siambani -- Cin�ema V�erit�e: Vertov Revisited / Genevieve Van Cauwenberge -- Beyond Sobriety: Documentary Diversions / Craig Hight. PART III: DOCUMENTARY HORIZONS. Eastwards / Abe Mark Nornes -- Africa N. / Frank Ukadike -- Images From the South: Contemporary Documentary in Argentina and Brazil / Ana Amado and Maria Dora Mourao -- 'Roadblock' Films, 'Children's Resistance' Films and 'Blood Relations' Films: Israeli and Palestinian Documentary Post-Intifada / Il Raya Morag -- Sacred, Mundane and Absurd Revelations of the Everyday -- Poetic V�erit�e in the Eastern European Tradition / Susanna Helke. PART IV: DOCUMENTARY VOICES. First-Person Political / Alisa Lebow -- Feminist Documentaries: Finding, Seeing and Using Them / Julia Lesage -- Pioneers of Black Documentary Film / Pearl Bowser -- LGTBs' Documentary Identity / Christopher Pullen -- Docusoaps: The Ordinary Voice as Popular Entertainment / Richard Kilborn -- Reality TV: A Sign of the Times? / Anita Biressi and Heather Nunn. PART V: DOCUMENTARY DISCIPLINES. Anthropology: The Evolution of Ethnographic Film / Paul Henley -- Science, Society and Documentary / Tim Boon -- History Documentaries for Television / Ann Gray -- Music, Documentary, Music Documentary / Michael Chanan -- Art, Documentary as Art / Michael Renov. PART VI: DOCUMENTARY FUTURES. Documentary as Open Space / Helen de Michiel and Patricia R. Zimmermann -- 'This Great Mapping of Ourselves': New Documentary Forms Online / John Dovey and Mandy Rose -- New Platforms for 'Docmedia': 'Varient of a Manifesto' / Peter Wintonick -- Afterword: The Unchanging Question / Brian Winston.
520			_a"Powerfully posing questions of ethics, ideology, authorship and form, documentary film has never been more popular than it is today. Edited by one of the leading British authorities in the field, 'The Documentary Film Book' is an essential guide to current thinking on documentary film. In a series of fascinating essays, key international experts discuss the theory of documentary, outline current understandings of its history (from pre-Flaherty to the post-Griersonian world of digital 'i-Docs'), survey documentary production (from Africa to Europe, and from the Americas to Asia), consider documentaries by marginalised minority communities, and assess its contribution to other disciplines and arts. Brought together here in one volume, these scholars offer compelling evidence as to why, over the last few decades, documentary has come to the centre of screen studies."--Page 4 of cover.
504			_aIncludes bibliographical references and index.
650		0	_aDocumentary films _xHistory and criticism.
650		0	_aDocumentary films _xSocial aspects.
650		4	_aDocumentary films.
700	1		_aWinston, Brian, _eeditor of compilation.
710	2		_aBritish Film Institute.
994			_aC0 _bVF$
999			_c133779 _d133779