000 03020cam a2200397 a 4500
001 ocn773023844
003 OCoLC
005 20251028093242.0
008 120215s2013 nyu b 001 0 eng
010 _a 2012003463
035 _a(Sirsi) i9780415897143
040 _aDLC
_beng
_cDLC
_dYDX
_dBTCTA
_dYDXCP
_dOCLCO
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_dVF$
016 7 _a016098756
_2Uk
019 _a808490296
020 _a9780415897143 (hardcover)
020 _a0415897149 (hardcover)
020 _a9780415897150 (pbk.)
020 _a0415897157 (pbk.)
020 _a9780203145784 (ebook)
020 _a020314578X (ebook)
035 _a(OCoLC)773023844
_z(OCoLC)808490296
042 _apcc
050 0 0 _aPN 1996
_b.B452 2013
049 _aVF$A
100 1 _aBeker, Marilyn.
245 1 4 _aThe screenwriter activist :
_bwriting social issue movies /
_cMarilyn Beker.
260 _aNew York, NY :
_bRoutledge,
_c2013.
300 _axii, 186 p. ;
_c24 cm.
504 _aIncludes bibliographical references and index.
505 0 _aContents note continued: The Chuckle: The Satirical Model -- The Life: The Biopic Model -- The Yoda: The Mentor Model -- The Shining Knight: The Hero/Rescuer Model -- Outline Magic Template -- Social Issue Screenplay Models -- 8.Research -- Basic Ground Rules -- Interesting Things To Consider In Writing A Movie -- Brief Information On Social Issues -- 9.Getting it Made -- Making It: A Case Study.
520 _aHotel Rwanda. Philadelphia. Silkwood. Some of the most important films ever made have tackled real world social issues, from genocide to homophobia to corporate greed. As storytellers, activist screenwriters recognise that social issues make great stories that can be gut wrenching, heart tugging, funny, tragic, and interesting to watch. The Screenwriter Activist helps screenwriters tell those stories in compelling, non preachy, and inspiring ways. The Screenwriter Activist is an in depth, practical guide, appropriate for students in intermediate or graduate screenwriting courses in Film and English Programs as well as professionals who want to write a movie that can make a difference in the world. Using examples from classic and recent popular films, The Screenwriter Activist explores the motivation and sensibility a screenwriter needs to embark on a social issue project, gives techniques for choosing compelling subjects, provides historical context for social issue movies, explains how characters legitimize social issue themes, puts forward specific models for structuring advocacy screenplays, and lays out a roadmap for how screenwriters can get a social issue movie made. If you care deeply about social issues and recognise that films can be highly effective platforms for motivativng audiences to civic involvement and social action, this is the one screenwriting book you need to read.
650 0 _aMotion picture authorship
_xSocial aspects.
650 0 _aMotion picture authorship
_xPolitical aspects.
994 _aC0
_bVF$
999 _c132133
_d132133