| 000 | 02045cam a2200481 a 4500 | ||
|---|---|---|---|
| 001 | ocm31658658 | ||
| 003 | OCoLC | ||
| 005 | 20251028093231.0 | ||
| 008 | 941116s1995 caua q s000 0deng | ||
| 010 | _a 94044121 | ||
| 035 | _a(Sirsi) i9780520086302 | ||
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| 015 | _aGB95-48021 | ||
| 019 | _a32700922 | ||
| 020 | _a0520086309 (cloth : alk. paper) | ||
| 020 | _a9780520086302 (cloth : alk. paper) | ||
| 020 | _a0520089499 (pbk. : alk. paper) | ||
| 020 | _a9780520089495 (pbk. : alk. paper) | ||
| 035 |
_a(OCoLC)31658658 _z(OCoLC)32700922 |
||
| 050 | 0 | 0 |
_aTR 891 _b.A48 1995 |
| 049 | _aVF$A | ||
| 100 | 1 | _aAlton, John. | |
| 245 | 1 | 0 |
_aPainting with light / _cJohn Alton ; introduction by Todd McCarthy. |
| 260 |
_aBerkeley : _bUniversity of California Press, _cc1995. |
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| 300 |
_axli, 191 p. : _bill. ; _c27 cm. |
||
| 500 | _aOriginally published: New York : Macmillan, 1949. With new introductory material and filmography. | ||
| 504 | _aFilmography: p. xxxv-xxxix. | ||
| 520 | _aFew cinematographers have had as decisive an impact on the cinematic medium as John Alton, best known for his highly stylized film noir classics. | ||
| 650 | 0 |
_aCinematography _xLighting. |
|
| 600 | 1 | 0 | _aAlton, John. |
| 650 | 0 | 7 |
_aFilm. _2swd |
| 653 | 0 |
_aCinematography _aLighting |
|
| 856 | 4 | 1 |
_3ACLS Humanities E-Book _uhttp://hdl.handle.net/2027/heb.08126 |
| 856 | 4 | 2 |
_3Contributor biographical information _uhttp://catdir.loc.gov/catdir/bios/ucal051/94044121.html |
| 856 | 4 | 2 |
_3Publisher description _uhttp://catdir.loc.gov/catdir/description/ucal041/94044121.html |
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