000 01950cam a22004454a 4500
001 ocn703871402
003 OCoLC
005 20251028093229.0
008 110216s2011 miu b 001 0 eng
010 _a 2011007217
035 _a(Sirsi) i9780472117857
040 _aDLC
_beng
_cDLC
_dYDX
_dYDXCP
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016 7 _a015967223
_2Uk
020 _a9780472117857 (cloth : alk. paper)
020 _a0472117858 (cloth : alk. paper)
020 _z9780472027736 (e-book)
020 _z0472027735 (e-book)
035 _a(OCoLC)703871402
042 _apcc
050 0 0 _aML 3470
_b.S32 2011
049 _aVF$A
100 1 _aSavage, Steve,
_d1948-
245 1 0 _aBytes and backbeats :
_brepurposing music in the digital age /
_cSteve Savage.
260 _aAnn Arbor, Mich. :
_bUniversity of Michigan Press,
_cc2011.
300 _ax, 251 p. ;
_c24 cm.
490 1 _aTracking pop
504 _aIncludes bibliographical references (p. 219-228) and index.
505 0 _aRepurposing presentation. Application study : rock band ; Studio study : lipsmacks, mouth noises, and heavy breathing ; Art or artifice? -- Repurposing performance. Application study : jazz piano trio ; Studio study : capturing the unintentional performance ; Artist or artisan? -- Repurposing participation. Application study : African folklore and music communities ; Studio study : from iPod to GarageBand ; Integration or (dis)integration?
650 0 _aPopular music
_xProduction and direction.
650 0 _aSound recordings
_xProduction and direction.
648 7 _aGeschichte 2000-2011.
_2swd
830 0 _aTracking pop.
938 _aYBP Library Services
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_n6979939
938 _aBlackwell Book Service
_bBBUS
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938 _aCoutts Information Services
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938 _aBrodart
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_n13228463
_c$60.00
938 _aIngram
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999 _c131497
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