000			02029cam a2200349 a 4500
001			ocn729721647
003			OCoLC
005			20251028093224.0
008			110607s2010 ne a b 001 0 eng
010			_a 2011414428
035			_a(Sirsi) i9780240806891
040			_aDLC _cDLC _dMHB _dVF$
020			_a9780240806891
020			_a0240806891
035			_a(OCoLC)729721647
042			_apcc
050	0	0	_aTK 4399 .T6 _bM66 2010
049			_aVF$A
100	1		_aMoody, James L.
245	1	0	_aConcert lighting : _btechniques, art, and business / _cJames L. Moody with contributing writer Paul Dexter.
250			_a3rd ed.
260			_aAmsterdam ; _aBoston : _bElsevier/Focal Press, _cc2010.
300			_axvii, 334 p. : _bill. (some col.) ; _c28 cm.
504			_aIncludes bibliographical references (p. 319-320) and index.
505	0		_aPart I. Background and organization. The birth of rock and the rise of the concert lighting field -- Tour personnel and unions -- Business -- Preproduction -- The design stage -- Cueing the music -- Road life -- Working outside the United States -- Risk assessment and safety -- Finding solutions -- Part II. Equipment designed to travel. Lighting consoles -- Portable dimming and distribution systems -- Lighting trusses -- Lifts, hoists, and roofs -- Moving luminaires -- LED units -- Digital lighting and media servers -- Conventional lighting and accessories -- Smoke and pyrotechnic effects -- Protocol, control, and ancillary enablers -- The designer's workbox -- Festivals, fairs, racetracks, amphitheatres, casinos, and local lighting equipment -- Part III. Designing with touring equipment. Master designers -- Designers perspective; art vs. business -- Artist's perspective -- Music video, film, DVDs, and long-form production -- Part IV. The after-word. Postscript: looking back.
650		0	_aMusic-halls _xLighting.
650		0	_aLighting _xSpecial effects.
650		0	_aStage lighting.
700	1		_aDexter, Paul.
994			_aC0 _bVF$
999			_c131218 _d131218