000			01639cam a2200397 a 4500
001			ocn738338327
003			OCoLC
005			20251028093219.0
008			110803s2012 enka b 001 0 eng
010			_a 2011033056
035			_a(Sirsi) i9781107000803
035			_a(Sirsi) i9781107000803
040			_aDLC _cDLC _dYDX _dBTCTA _dYDXCP _dUKMGB _dDEBBG _dQCL _dBWX _dBDX _dPUL _dVF$
015			_aGBB181151 _2bnb
016	7		_a015841782 _2Uk
019			_a773983848
020			_a9781107000803 (hardback)
020			_a1107000807 (hardback)
020			_a9780521170420 (paperback)
020			_a0521170427 (paperback)
035			_a(OCoLC)738338327 _z(OCoLC)773983848
042			_apcc
050	0	0	_aML 74 _b.E83 2012
049			_aVF$A
100	1		_aEscrivan, Julio d', _d1960-
245	1	0	_aMusic technology / _cJulio d'Escrivan.
260			_aCambridge ; _aNew York : _bCambridge University Press, _c2012.
300			_axvii, 215 p. : _bill. ; _c26 cm.
490	1		_aCambridge introductions to music
504			_aIncludes bibliographical references and index.
505	0		_aRepresenting and storing sound -- A studio overview -- Synthesiser, samplers, and drum machines -- Live music technology (the FAQs) -- Select, remix, mashup -- The producer -- Music, sound, and visual media -- The studio as experimental lab -- Controllers : new creative possibilities in performance -- Hacking electronics for music -- Further avenues for exploration.
650		0	_aMusic _xData processing.
650		0	_aSound _xRecording and reproducing _xDigital techniques.
830		0	_aCambridge introductions to music.
999			_c130960 _d130960