000			01644cam a2200385 a 4500
001			ocn658200781
003			OCoLC
005			20251028093219.0
008			100822s2011 ncu b 001 0 eng c
010			_a 2010035883
035			_a(Sirsi) i9780822348641
035			_a(Sirsi) i9780822348641
040			_aNcD/DLC _cDLC _dYDXCP _dWHE _dNYP _dBWX _dCDX _dVP@ _dUKMGB _dMIX _dBDX _dVF$
016	7		_a015734313 _2Uk
020			_a9780822348641 (cloth : alk. paper)
020			_a0822348640 (cloth : alk. paper)
020			_a9780822348757 (pbk. : alk. paper)
020			_a0822348756 (pbk. : alk. paper)
035			_a(OCoLC)658200781
042			_apcc
043			_an-us---
050	0	0	_aKF 3035 _b.M38 2011
049			_aVF$A
100	1		_aMcLeod, Kembrew, _d1970-
245	1	0	_aCreative license : _bthe law and culture of digital sampling / _cKembrew McLeod and Peter DiCola ; with Jenny Toomey and Kristin Thomson.
260			_aDurham [NC] : _bDuke University Press, _c2011.
300			_aix, 325 p. ; _c23 cm.
504			_aIncludes bibliographical references (p. [303]-311) and index.
505	0		_aThe golden age of sampling -- A legal and cultural history of sound collage -- The competing interests in sample licensing -- Sampling lawsuits : hip-hop goes to court -- The sample clearance system : how it works (and how it breaks down) -- Consequences for creativity : an assessment of the sample clearance system -- Proposals for reform.
650		0	_aCopyright _xMusic _zUnited States.
650		0	_aSampler (Musical instrument)
650		0	_aPlagiarism in music.
700	1		_aDiCola, Peter, _d1976-
999			_c130958 _d130958