| 000 | 07084cam a22004814a 4500 | ||
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| 001 | ocn659750850 | ||
| 003 | OCoLC | ||
| 005 | 20251028093219.0 | ||
| 008 | 110216s2012 nyua bq 001 0 eng | ||
| 010 | _a 2011007417 | ||
| 035 | _a(Sirsi) i9780415888738 | ||
| 035 | _a(Sirsi) i9780415888738 | ||
| 040 |
_aDLC _beng _cDLC _dBTCTA _dYDXCP _dBWX _dTDF _dNTD _dCDX _dC#P _dIG# _dSFR _dUKMGB _dVF$ |
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| 016 | 7 |
_a015855791 _2Uk |
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| 019 | _a756788923 | ||
| 020 | _a9780415888738 (hardback) | ||
| 020 | _a0415888735 (hardback) | ||
| 020 | _a9780415888745 (pbk.) | ||
| 020 | _a0415888743 (pbk.) | ||
| 035 |
_a(OCoLC)659750850 _z(OCoLC)756788923 |
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| 042 | _apcc | ||
| 050 | 0 | 0 |
_aML 2075 _b.R68 2012 |
| 049 | _aVF$A | ||
| 245 | 0 | 4 |
_aThe Routledge film music sourcebook / _cedited by James Wierzbicki, Nathan Platte, and Colin Roust. |
| 250 | _a1st ed. | ||
| 260 |
_aNew York : _bRoutledge, _c2012. |
||
| 300 |
_axv, 389 p. : _bill. ; _c27 cm. |
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| 504 | _aIncludes bibliographical references, filmography (p. 354-372), and index. | ||
| 505 | 0 | 0 |
_gpt. 1. "Silent" film. _gEarly approaches to film accompaniment. _tMusic for the picture / _rClarence E. Sinn (1910) ; _tPlaying the pictures / _rClyde Martin (1910) ; _tJackass music / _rLou Reeves Harrison (1911) -- _gDreams of the future. _tMusic for the movies / _rCarl Van Vechten (1916) ; _tThe surveys of Le film : music and the cinema (1919) -- _gPractical advice in the heyday of the silent film. _tMusical accompaniment to the feature picture / _rErno Rapee (1925) ; _tScoring a motion picture / _rVictor Wagner (1926) ; _tThe artistic feature film and music : its genres / _rHans Erdmann (1927) -- |
| 505 | 8 | 0 |
_gpt. 2. Early sound film. _gTransitional concerns. _tMusic and the cinema / _rEdwin Evans (1929) ; _tAbout the music to New Babylon / _rDmitry Shostakovich (1929) ; _tExperimenting with sound films / _rDarius Milhaud (1930) -- _gAccounts of the sound film's early years. _tMusical picture quietly undergoes renaissance / _rPhilip K. Scheurer (1931) ; _tMusical pictures are here again / _rHelen Louise Walker (1931) ; _tFilm music experiences its sanest development / _rEdwin Schaller (1932) -- _gDebates on the future of music in sound films. _tA little about movie music / _rVirgil Thomson (1933) ; _tMusic and the synchronized film / _rClarence Raybould (1933) ; _tMusical surprises / _rAzary Azarin (1935) ; _tThe experience of the composer / _rNikolai Krykov (1936) -- |
| 505 | 8 | 0 |
_gpt. 3. Music in the classical-style film. _gPractical advice as film music's "classical style" takes shape. _tFilm music / _rArthur Benjamin (1937) ; _tOn the Hollywood front / _rGeorge Antheil (1938) ; _tHistory of motion picture music / _rFranz Waxman (1940) ; _tMemoranda / _rDavid O. Selznick (1937, 1941) -- _gAesthetic squabbles. _tMusic and cinema : an impossible marriage / _rGianandrea Gavazzeni (1943) ; _tMusic and cinema : a difficult marriage / _rFedele d'Amico (1943) ; _tMusic and the screen / _rErich Leinsdorf (1945) ; _tMusic in films : a rebuttal / _rBernard Herrmann (1945) ; _tHeard melodies / _rBosley Crowther (1945) -- |
| 505 | 8 | 0 |
_gpt. 4. The postwar years. _gEuropean vs. American attitudes. _tMusic : congress at Florence / _rAntony Hopkins (1950) ; _tFilm music of the quarter / _rLawrence Morton (1951) ; _tHollywood orchestrators : the dragon shows his teeth / _rHans Keller (1951) ; _tHow film music was born and how it is made today / _rGeorges Auric (1952) -- _gForeign ideas. _tA few ideas about music and film / _rJohn Cage (1951) ; _tConcrete music / _rPierre Schaeffer (1954) ; _tOn using musical instruments in film music / _rWang Yunjie (1957) -- _gStylistic novelties. _tScorers skip classics, seek new approach / _rPhilip K. Sheurer (1954) ; _tThree movie scores issued on LP disks / _rJohn S. Wilson (1959) ; _tBritish rattled by rock 'n' roll / _rThomas P. Ronan (1956) ; _t'Real crazy' Mansfield in raucous film / _rMae Tinee (1957) ; _tFilms' appeal is based on rock 'n' roll / _rMae Tinee (1957) ; _tThe first electronic filmscore : Forbidden planet / _rJane Brockman (1992) ; _tElectronic strains reinforce Andromeda film score / _rMartin Bernheimer (1971) -- |
| 505 | 8 | 0 |
_gpt. 5. Changing times. _gGloom and doom. _tWhat ever happened to great movie music? / _rElmer Bernstein (1972) ; _tWhatever became of movie music? / _rDavid Raksin (1974) -- _gPlenty of optimism. _tSound and fury over film music / _rCharles Champlin (1967) ; _tNotes from a subculture / _rLeonard Rosenman (1968) ; _tYou may not leave the movie house singing their songs, but ... / _rCharles Higham (1975) -- |
| 505 | 8 | 0 |
_gpt. 6. The business of film music. _gLabor pains. _tMusicians to picket two films in 20 U.S. cities / _rHoward Kennedy (1958) ; _tMusicians Guild wins coast vote / _rThomas M. Pryor (1958) ; _tMusicians Guild wins 14% hike in studio pay / _rAnon. (1958) ; _tMusicians could be left out when actors settle / _rEric Malnic (1980) ; _tTentative pact reached in musician strike / _rAnon. (1981) ; _tAFM, film producers reach new three-year pact / _rAnon. (1990) ; _tKeeping film scoring on our shores / _rFlorence Nelson (2005) ; _tUnion drumbeat's growing / _rJohn Burlingame (2010) -- _gSoundtrack albums. _tMusic is now profit to the ears of filmmakers / _rVincent Canby (1966) ; _tThe sound of (movie) music : re-releases of soundtracks past / _rTom Shales (1976) ; _tMovie music : is it becoming hit or miss? / _rSteven Smith (1986) -- |
| 505 | 8 | 0 |
_gpt. 7. A whole new world. _gNew instruments. _tSynthesizer upstarts conquer Hollywood / _rJeff Burger (1987) ; _tComputers in the movies : How desktop PCs help create Hollywood's amazing music and sound effects / _rLachlan Westfall (1998) ; _tThe unreal orchestra, part 1 : The virtual film score / _rMichael Prager (2004) ; _tSound for picture : Hans Zimmer's scoring collective : composer collaboration at remote control productions / _rMatt Hurwitz (2007) -- _gNew methods. _tMaking soundtracks, part 1 : Who puts 'em there, anyway / _rJeff Rona (2000) ; _tMaking soundtracks, part 2 : More on the differences between the score and the soundtrack / _rJeff Rona (2000) ; _tMusic in movies and TV : filling the bill / _rNick Krewen (2005) ; _tMusic business insider: Q&A : Jack Rudy / _rMike Levine (2007) -- |
| 505 | 8 | 0 |
_gpt. 8. Today, tomorrow. _gFin de si�ecle. _tFilm music has two masters / _rDonal Henahan (1987) ; _tIn Hollywood, discord on what makes music / _rDavid Mermelstein (1997) ; _tKeeping scores : good old-fashioned movie music is as healthy as it ever was / _rJames Hunter (1998) ; _tMany ways to score / _rCatherine Applefeld Olson (1952) -- _gOnward and upward? _tTaking movie music seriously, like it or not / _rDavid Schiff (2001) ; _tThe soundtrack game is attracting fresh and edgy artists / _rDylan Callaghan (2002) ; _tWhen is film music classical? / _rJed Distler (2007) ; _tHollywood composers tune in for rare gathering / _rKevin Cassidy (2008) ; _t127 hours and other films take experimental turns in music / _rTodd Martens (2010). |
| 650 | 0 |
_aMotion picture music _xHistory and criticism. |
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| 700 | 1 | _aWierzbicki, James Eugene. | |
| 700 | 1 | _aPlatte, Nathan. | |
| 700 | 1 | _aRoust, Colin. | |
| 710 | 2 | _aRoutledge (Firm) | |
| 999 |
_c130950 _d130950 |
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