| 000 | 03326cam a22003974a 4500 | ||
|---|---|---|---|
| 001 | ocn263605563 | ||
| 003 | OCoLC | ||
| 005 | 20251028093155.0 | ||
| 008 | 081023s2009 enka b 001 0 eng | ||
| 010 | _a 2008046594 | ||
| 035 | _a(Sirsi) i9780195331615 | ||
| 035 | _a(Sirsi) i9780195331615 | ||
| 040 |
_aDLC _cDLC _dBTCTA _dYDXCP _dUKM _dC#P _dBWX _dCDX _dIUL _dIBS _dCHVBK _dVF$ |
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| 015 |
_aGBA983788 _2bnb |
||
| 016 | 7 |
_a015356555 _2Uk |
|
| 020 | _a9780195331615 (alk. paper) | ||
| 020 | _a0195331613 (alk. paper) | ||
| 020 | _a9780199792030 (paperback) | ||
| 035 | _a(OCoLC)263605563 | ||
| 042 | _apcc | ||
| 050 | 0 | 0 |
_aML 1380 _b.O9 2009 |
| 049 | _aVF$A | ||
| 245 | 0 | 4 |
_aThe Oxford handbook of computer music / _cedited by Roger T. Dean. |
| 260 |
_aOxford ; _aNew York : _bOxford University Press, _c2009. |
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| 300 |
_avii, 611 p. : _bill. ; _c26 cm. |
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| 490 | 1 | _a[Oxford handbooks] | |
| 500 | _aSeries from jacket flap. | ||
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | 0 |
_tIntroduction : the many futures of computer music / _rRoger T. Dean -- _tA historical view of computer music technology / _rDouglas Keislar -- _tEarly hardware and early ideas in computer music : their development and their current forms / _rPaul Doornbusch -- _tSound synthesis using computers / _rPeter Manning -- _tComputational approaches to composition of notated instrumental music : Xenakis and the other pioneers / _rJames Harley -- _tEnvisaging improvisation in future computer music / _rRoger T. Dean -- _tComputer music : some reflections / _rTrevor Wishart -- _tSome notes on my electronic improvisation practice / _rTim Perkis -- _tCombining the acoustic and the digital : music for instruments and computers or pre-recorded sound / _rSimon Emmerson -- _tDancing the music : interactive dance and music / _rWayne Siegel -- _tGesture and morphology in laptop music performance / _rGarth Paine -- _tSensor based musical instruments and interactive music / _rAtau Tanaka -- _tSpatialization and computer music / _rPeter Lennox -- _tThe voice in computer music and its relationship to place, identity, and community / _rHazel Smith -- _tAlgorithmic synaesthesia / _rNoam Sagiv, Roger T. Dean, and Freya Bailes -- _tAn introduction to data sonification / _rDavid Worrall -- _tElectronica / _rNick Collins -- _tGenerative algorithms for making music : emergence, evolution, and ecosystems / _rJon McCormack ... [et al.] -- _tComputational modeling of music cognition and musical creativity / _rGeraint A. Wiggins, Marcus T. Pearce and Daniel M�ullensiefen -- _tSoundspotting : a new kind of process? / _rMichael Casey -- _tInteractivity and improvisation / _rGeorge E. Lewis -- _tFrom outside the window : electronic sound performance / _rPauline Oliveros -- _tEmpirical studies of computer sound / _rFreya Bailes and Roger T. Dean -- _tToward the gender ideal / _rMary Simoni -- _tSound-based music 4 all / _rLeigh Landy -- _tFraming learning perspectives in computer music education / _rJ�ran Rudi and Palmyre Pierroux. |
| 650 | 0 |
_aComputer music _xHistory and criticism. |
|
| 650 | 0 |
_aComputer music _vChronology. |
|
| 700 | 1 |
_aDean, R. T. _4edt _4ctb |
|
| 776 | 0 | 8 |
_iOnline version: _tOxford handbook of computer music. _dOxford ; New York : Oxford University Press, 2009 _w(OCoLC)639555635 |
| 830 | 0 | _aOxford handbooks. | |
| 999 |
_c129620 _d129620 |
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