| 000 | 02914cam a2200337 a 4500 | ||
|---|---|---|---|
| 001 | ocn649079446 | ||
| 003 | OCoLC | ||
| 005 | 20251028093154.0 | ||
| 008 | 100716s2011 cau b 001 0 eng | ||
| 010 | _a 2010029142 | ||
| 035 | _a(Sirsi) i9781587656873 | ||
| 035 | _a(Sirsi) i9781587656873 | ||
| 040 |
_aDLC _cDLC _dYDX _dYDXCP _dMLY _dSGB _dLML _dVF$ |
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| 019 | _a567020822 | ||
| 020 | _a9781587656873 (alk. paper) | ||
| 020 | _a1587656876 (alk. paper) | ||
| 035 |
_a(OCoLC)649079446 _z(OCoLC)567020822 |
||
| 050 | 0 | 0 |
_aPS 3545 .I5365 _bZ8445 2011 |
| 049 | _aVF$A | ||
| 245 | 0 | 0 |
_aTennessee Williams / _ceditor, Brenda Murphy. |
| 260 |
_aPasadena, Calif. : _bSalem Press, _cc2011. |
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| 300 |
_aix, 382 p. ; _c24 cm. |
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| 490 | 1 | _aCritical insights | |
| 504 | _aIncludes bibliographical references (p. 363-365) and index. | ||
| 504 | _a"Works by Tennessee Williams": p. 360-362. | ||
| 505 | 0 | 0 |
_tOn Tennessee Williams / _rBrenda Murphy -- _tBiography of Tennessee Williams / _rRobert J. Forman -- _tThe Paris review perspective / _rSasha Weiss for The Paris review -- _tThe critical reception of the works of Tennessee Williams / _rJennifer Banach -- _tTennessee Williams on America / _rSusan C. W. Abbotson -- _t"Getting the colored lights going": expressionism in A streetcar named Desire / _rHenry I. Schvey -- _tMendacity on the stage: "lying and liars" in Cat on a hot tin roof / _rKenneth Elliott -- _tA gallery of witches / _rNancy M. Tischler -- _tCulture, power, and the (en)gendering of community: Tennessee Williams and politics / _rThomas P. Adler -- _tDeranged artists: creativity and madness / _rJacqueline O'Connor -- _tFlying the Jolly Roger: images of escape and selfhood in The glass menagerie / _rLori Leathers Single -- _t"Fifty percent illusion": The mask of the southern belle in Tennessee Williams's A streetcar named Desire, The glass menagerie, and "Portrait of a Madonna" / _rGeorge Hovis -- _tWilliams in ebony: black and multi-racial productions of A streetcar named Desire / _rPhilip C. Kolin -- _t"Something cloudy, something clear": homophobic discourse in Tennessee Williams / _rJohn M. Clum -- _t"sneakin' and spyin'" from Broadway to the Beltway: cold war masculinity, Brick, and homosexual existentialism / _rJohn S. Bak -- _t"Collecting evidence": the natural world in Tennessee Williams' The night of the iguana / _rRod Phillips -- _tRed devil battery sign: an approach to a mytho-political theatre / _rJames Schlatter -- _tTennessee Williams' Out cry in The two-character play / _rNicholas O. Pagan -- _tPeeping Tom: voyeurism, taboo, and truth in the world of Williams's short fiction / _rGeorge W. Crandell -- _t"The transmutation of experience": the aesthetics and themes of Williams's nonfiction / _rD. Dean Shackelford. |
| 600 | 1 | 0 |
_aWilliams, Tennessee, _d1911-1983 _xCriticism and interpretation. |
| 700 | 1 |
_aMurphy, Brenda, _d1950- _4edt |
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| 830 | 0 | _aCritical insights. | |
| 999 |
_c129619 _d129619 |
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