000			01976cam a2200385 a 4500
001			ocn475454212
003			OCoLC
005			20251028093153.0
008			100302s2010 maua b s001 0 eng
010			_a 2010008989
035			_a(Sirsi) i9781558498297
035			_a(Sirsi) i9781558498297
040			_aDLC _cDLC _dBTCTA _dC#P _dYDXCP _dCDX _dBWX _dEEK _dTDF _dVF$
020			_a9781558498297 (pbk. : alk. paper)
020			_a155849829X (pbk. : alk. paper)
020			_a9781558498280 (library cloth : alk. paper)
020			_a1558498281 (library cloth : alk. paper)
035			_a(OCoLC)475454212
050	0	0	_aML 3918 .P67 _bS56 2010
049			_aVF$A
100	1		_aSinnreich, Aram.
245	1	0	_aMashed up : _bmusic, technology, and the rise of configurable culture / _cAram Sinnreich.
260			_aAmherst : _bUniversity of Massachusetts Press, _cc2010.
300			_axxii, 241 p. : _bill. ; _c23 cm.
490	1		_aScience/technology/culture
504			_aIncludes bibliographical references and index.
505	0		_aThe bust -- pt. I. When the mode of the music changes. Music as a controlled substance -- The modern framework -- The crisis of configurability -- pt. II. Drawing lines in the sand. Yes, but is it art?: the art/craft binary -- Some kid in his bedroom: the artist/audience binary -- Something borrowed, something new: the original/copy binary -- Live from a hard drive: The composition/performance binary -- Hooks and hearts: The figure/ground binary -- "He plays dictaphones, and she plays bricks": the materials/tools binary -- pt. III. The lessons: configurability and the new framework. Critique and co-optation -- "Plus �ca change" or paradigm shift?
650		0	_aPopular music _xSocial aspects.
650		0	_aMusic and technology.
650		0	_aMashups (Music) _xHistory and criticism.
650		0	_aRemixes _xHistory and criticism.
650		0	_aTurntablism.
830		0	_aScience/technology/culture.
999			_c129566 _d129566