000			01783cam a2200433 a 4500
001			ocn449860806
003			OCoLC
005			20251028093153.0
008			090930s2010 cauag b 001 0 eng
010			_a 2009040742
035			_a(Sirsi) i9780520264793
035			_a(Sirsi) i9780520264793
040			_aDLC _cDLC _dYDX _dBTCTA _dYDXCP _dUKM _dOSU _dBWX _dCDX _dUPP _dTDF _dVF$
015			_aGBB030513 _2bnb
016	7		_a015494171 _2Uk
020			_a9780520264793 (cloth : alk. paper)
020			_a0520264797 (cloth : alk. paper)
020			_a9780520264809 (pbk. : alk. paper)
020			_a0520264800 (pbk. : alk. paper)
035			_a(OCoLC)449860806
050	0	0	_aML 3854 _b.A84 2010
049			_aVF$A
100	1		_aAshby, Arved Mark.
245	1	0	_aAbsolute music, mechanical reproduction / _cArved Ashby.
260			_aBerkeley : _bUniversity of California Press, _cc2010.
300			_axii, 317 p. : _bill., music ; _c24 cm.
504			_aIncludes bibliographical references (p.299-308) and index.
505	0		_aThe recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies -- Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist.
650		0	_aAbsolute music.
650		0	_aSound recordings _xSocial aspects.
650		0	_aMusic _xPhilosophy and aesthetics.
650		0	_aPerformance practice (Music) _xHistory _y20th century.
650		0	_aMusic and technology.
600	1	0	_aGould, Glenn _xCriticism and interpretation.
600	1	0	_aSchnabel, Artur, _d1882-1951 _xCriticism and interpretation.
650		0	_aSound _xRecording and reproducing _xDigital techniques.
650		0	_aMP3 (Audio coding standard) _xSocial aspects.
999			_c129564 _d129564