000			01546cam a2200325 a 4500
001			ocn636907821
003			OCoLC
005			20251028093151.0
008			100527s2011 ne a b 001 0 eng
035			_a(Sirsi) i9780240812175
035			_a(Sirsi) i9780240812175
040			_aUKM _cUKM _dYDXCP _dC#P _dCDX _dCAD _dVF$
015			_aGBB066942 _2bnb
016	7		_a015566026 _2Uk
019			_a610157544
020			_a9780240812175 (pbk.)
020			_a0240812174 (pbk.)
035			_a(OCoLC)636907821 _z(OCoLC)610157544
050		4	_aPN 1995 _b.M47 2011
049			_aVF$A
100	1		_aMercado, Gustavo.
245	1	4	_aThe filmmaker's eye : _blearning (and breaking) the rules of cinematic composition / _cGustavo Mercado.
260			_aAmsterdam ; _aBoston : _bFocal Press/Elsevier, _cc2011.
300			_axvi, 192 p. : _bill. (some col.) ; _c23 cm.
504			_aIncludes bibliographical references and index.
505	0		_aFinding the frame -- Principles of composition and technical concepts -- Image system -- Extreme close up -- Close up -- Medium close up -- Medium shot -- Medium long shot -- Long shot -- Extreme long shot -- Over the shoulder shot -- Establishing shot -- Subjective shot -- Two shot -- Group shot -- Canted shot -- Emblematic shot -- Abstract shot -- Macro shot -- Zoom shot -- Pan shot -- Tilt shot -- Dolly shot -- Dolly zoom shot -- Tracking shot -- Steadicam shot -- Crane shot -- Sequence shot -- Filmography.
650		0	_aMotion pictures _xAesthetics.
650		0	_aCinematography.
999			_c129429 _d129429