000			05810cam a2200421 a 4500
001			ocn236333545
003			OCoLC
005			20251028093150.0
008			080811s2009 nyu bk 001 0 eng
010			_a 2008035590
035			_a(Sirsi) i9780195365931
035			_a(Sirsi) i9780195365931
040			_aDLC _beng _cDLC _dBTCTA _dBAKER _dYDXCP _dC#P _dBWX _dUPP _dORX _dHALCL _dGEBAY _dOCLCQ _dDEBBG _dVF$
020			_a9780195365931 (pbk.)
020			_a0195365933 (pbk.)
035			_a(OCoLC)236333545
043			_an-us---
050	0	0	_aML 3477 _b.B68 2009
049			_aVF$A
100	1		_aBrackett, David.
245	1	4	_aThe pop, rock, and soul reader : _bhistories and debates / _cDavid Brackett.
250			_a2nd ed.
260			_aNew York : _bOxford University Press, _c2009.
300			_axvii, 606 p. ; _c24 cm.
504			_aIncludes bibliographical references (p. 589-593), discographies, and index.
505	2		_aPart 1, Before 1950. Irving Berlin in Tin Pan Alley -- Technology, the dawn of modern popular music, and the "king of Jazz" -- Big band swing music : race and power in the music business -- Solo pop singers and new forms of fandom -- Hillbilly and race music -- Blues people and the classic blues -- The empress of the blues -- At the crossroads with Robert Johnson, as told by Johnny Shines -- From race music to Rhythm and blues : T-Bone Walker -- Jumpin' the blues with Louis Jordan -- On the bandstand with Johnny Otis and Wynonie Harris -- The producers answer back : the emergence of the "indie" record company.
505	2		_aPart 2. The 1950s: Country music as folk music, country music as novelty -- Country music approaches the mainstream -- Hank Williams on songwriting -- Rhythm and blues in the early 1950s : B.B. King -- "The house that Ruth Brown built" -- Ray Charles, or when Saturday night mixed it up with Sunday morning -- Jerry Wexler : a life in R & B -- The growing threat of rhythm and blues -- Langston Hughes responds -- from Rhythm and blues to rock 'n' roll : the songs of Chuck Berry -- Little Richard : boldly going where no man had gone before -- Elvis Presley, Sam Phillips, and Rockabilly -- Rock 'n' roll meets the popular press -- The Chicago defender defends rock 'n' roll -- The music industry fight against rock 'n' roll : Dick Clark's teen-pop empire and the payola scandal.
505	2		_aPart 3, The 1960s. Brill building and the girl groups -- From surf to smile -- Urban folk revival -- Bringing it all back home : Dylan at Newport -- "Chaos is a friend of mine" -- From R & B to soul -- No town like Motown -- The Godfather of soul and the beginnings of funk -- "The blues changes from day to day" -- Aretha Franklin earns respect -- The Beatles, the "British invasion," and cultural respectability -- A hard day's night and Beatlemania -- England swings, and the Beatles evolve on Revolver and Sgt. Pepper -- The British art school blues -- The Stones versus the Beatles -- If you're goin' to San Francisco-- -- The kozmic blues of Janis Joplin -- Jimi Hendrix and the electronic guitar -- Rock meets the avant-garde : Frank Zappa -- Pop/bubblegum/Monkees -- The aesthetics of rock -- Festivals : the good, the bad, and the ugly.
505	2		_aPart 4, The 1970s. Where did the sixties go? -- The sound of autobiography : singer-songwriters, Carole King -- Joni Mitchell journeys within -- Sly Stone : "the myth of Staggerlee" -- Not-so-"little" Stevie Wonder -- Parliament drops the bomb -- Heavy metal meets the counterculture -- Led Zeppelin speaks! -- "I have no message whatsovever" -- Rock me, Amadeus -- Jazz fusion -- Get on up disco -- Punk : the sound of criticism? -- Punk crosses the Atlantic -- Punk to new wave?
505	2		_aPart 5, The 1980s. UK new wave -- A "second British invasion," MTV, and other postmodernist conundrums -- Thriller begets the "King of Pop" -- Madonna and the performance of identity -- Bruce Springsteen : reborn in the USA -- R & B in the 1980s : to cross over or not to cross over? -- Heavy metal thunders on! -- Metal in the late eighties : glam or thrash? -- Postpunk goes Indie -- Indie brings the noise -- Hip-hop, don't stop -- "The music is a mirror" -- Where rap and heavy metal converge.
505	2		_aPart 6, The 1990s and beyond. Hip-hop into the 1990s : gangstas, fly girls, and the big bling-bling -- Nuthin' but a "G" thang -- Keeping it a little too real -- Sample-mania -- Women in rap -- The beat goes on -- From Indie to alternative to-- -- Riot girl -- Grunge turns to scrunge -- A "postalternative icon" -- "We are the world"? -- A Talking Head writes -- Genre or gender? The resurgence of the singer-songwriter -- Public policy and pop music history collide -- Electronica is in the house -- R & B divas go retro -- Fighting the power in a post-9/11 mediascape: the Dixie Chicks -- The end of history, the mass marketing of trivia, and a world of copies without originals.
520	1		_a"In this second edition, The Pop, Rock, and Soul Reader: Histories and Debates traces the evolution of diverse streams of American popular music from the 1920s to the present. Scholar David Brackett brings together over 100 readings from a wide range of sources and by writers who have played an integral part in the development of popular music criticism."--Jacket.
650		0	_aPopular music _zUnited States _xHistory and criticism.
776	0	8	_iOnline version: _aBrackett, David. _tPop, rock, and soul reader. _b2nd ed. _dNew York : Oxford University Press, 2009 _w(OCoLC)623255026
856	4	1	_3Table of contents only _uhttp://catdir.loc.gov/catdir/toc/ecip0825/2008035590.html
856			_uhttp://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016779485&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA _zInhaltsverzeichnis
999			_c129393 _d129393