000 03081cam a2200301Ia 4500
001 ocm47976006
003 OCoLC
005 20251028093102.0
008 010917s2001 nyu 000 1 eng d
035 _a(Sirsi) i9780393322538
035 _a(Sirsi) i9780393322538
040 _aPIT
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020 _a039332253X
020 _a9780393322538
029 1 _aYDXCP
_b1797702
035 _a(OCoLC)47976006
050 4 _aPS3562.E8544
_bK343 2001
049 _aVF$A
100 1 _aLethem, Jonathan.
245 1 0 _aKafka Americana /
_cJonathan Lethem, Carter Scholz.
260 _aNew York :
_bW.W. Norton,
_cc2001.
300 _a100 p. ;
_c21 cm.
505 0 _aBlumfeld, an elderly bachelor / Carter Scholz -- The notebooks of Bob K. / Jonathan Lethem -- Receding horizon / Jonathan Lethem & Carter Scholz -- The amount to carry / Carter Scholz -- K for fake / Jonathan Lethem.
520 _aPreviously published only in a signed, limited edition, Kafka Americana has achieved cult status. Norton now brings this reimagination of our labyrinthine world to a wider audience. In an act of literary appropriation, Lethem & Scholz seize a helpless Kafka by the lapels & thrust him into the cultural wreckage of twentieth-century America. In the collaboratively written "Receding Horizon," Hollywood welcomes Kafka as scriptwriter for Frank Capra's It's a Wonderful Life, with appropriately morbid results. Scholz's "The Amount to Carry" transports "the legal secretary of the Workman's Accident Insurance Institute" to a conference with fellow insurance executives Wallace Stevens & Charles Ives, to muse on what can & can't be insured. And Lethem's "K for Fake" brings together Orson Welles, Jerry Lewis, & Rod Serling in a kangaroo trial in which Kafka faces fraudulent charges. Taking modernism's presiding genius for a joyride, the authors portray an absurd, ominous world that Kafka might have invented but could never have survived. In an act of literary appropriation by turns witty, affectionate, and shameless, Jonathan Lethem and Carter Scholz seize a helpless Franz Kafka by the lapels and thrust him into the cultural wreckage of twentieth-century America. In the collaboratively written "Receding Horizon," Hollywood welcomes Kafka as a scriptwriter for Frank Capra's It's a Wonderful Life, with appropriately morbid results. Scholz's "The Amount to Carry" transports "the legal secretary of the Workman's Accident Insurance Institute" to a professional conference with fellow insurance executives Wallace Stevens and Charles Ives, for a night of musing on what can and can't be insured. And Lethem's "K for Fake" brings together Orson Welles, Jerry Lewis, and Rod Serling in a kangaroo trial where Kafka faces, needless to say, fraudulent charges. Taking Modernism's presiding genius for a literary joyride, the authors portray an absurd, ominous world that Kafka might have invented but could never have survived.
600 1 0 _aKafka, Franz,
_d1883-1924
_vFiction.
700 1 _aScholz, Carter.
999 _c126824
_d126824