000 01617cam a2200397 a 4500
001 ocm61476287
003 OCoLC
005 20251028093051.0
008 050906s2006 onca b 001 0 eng
035 _a(Sirsi) i9780802090379
035 _a(Sirsi) i9780802090379
040 _aNLC
_beng
_cNLC
_dBAKER
_dC#P
_dIXA
_dDAY
_dYDXCP
_dBTCTA
_dYBM
_dAU@
_dVF$
016 _a20059055006
020 _a0802090370 (bound) :
_c$50.00
020 _a9780802090379 (bound)
020 _a9780802095442 (pbk.)
020 _a0802095445 (pbk.)
029 0 _aNLC
_b20059055006
029 1 _aYDXCP
_b2225235
029 1 _aNZ1
_b10792857
029 1 _aAU@
_b000040984595
035 _a(OCoLC)61476287
042 _apcc
050 4 _aPN 98 .E4
_bO36 2006
049 _aVF$A
100 1 _aO'Gorman, Marcel.
245 1 0 _aE-crit :
_bdigital media, critical theory and the humanities /
_cMarcel O'Gorman.
260 _aToronto ;
_aBuffalo, N.Y. :
_bUniversity of Toronto Press,
_c2006.
300 _axvii, 141 p. :
_bill. ;
_c26 cm.
504 _aIncludes bibliographical references (p. [129]-134) and index.
505 0 _aThe canon, the archive, and the remainder: reimagining scholarly discourse -- The search for exemplars: discourse networks and the pictorial turn -- The hypericonic de-vise: Peter Ramus meets William Blake -- Nonsense and play: the figure/ground shift in new media discourse -- From �ecriture to E-crit: on postmodern curriculum.
650 0 _aHumanities
_xStudy and teaching (Higher)
_xData processing.
650 0 _aHumanities
_xData processing.
650 0 _aHumanities
_xResearch.
999 _c126211
_d126211