000 01530cam a2200313 4500
005 20251028092721.0
008 731030s1974 njuc b 00010 eng
001 ocm00741108
010 _a 73018496 //r952
020 _a0135113032
_a0135112958 (pbk.)
035 _a(Sirsi) i9780135113035
035 _a(Sirsi) i9780135113035
035 _a(Sirsi) i9780135113035
035 _a(Sirsi) i9780135113035
035 _z(Sirsi) 65757
037 _c$5.95
040 _aDLC
_cDLC
_dDLC
050 0 0 _aPR 6019 .O9
_bZ52638
100 1 _aChace, William M.
_ecompiler.
245 1 0 _aJoyce: a collection of critical essays,
_cedited by William M. Chace.
260 _aEnglewood Cliffs, N.J.,
_bPrentice-Hall
_c[1974]
300 _aviii, 184 p.
_bport.
_c21 cm.
490 0 _aA Spectrum book
490 0 _aTwentieth century views
505 0 _aDubliners: Cixous, H. Political ignominy--"Ivy day." Ellman, R. The backgrounds of "The dead."--A portrait of the artist as a young man: Kenner, H. The portrait in perspective.--Ulysses: Wilson, E. James Joyce. Goldberg, S. L. Homer and the nightmare of history. Cronin, A. The advent of Bloom. Ellman, R. Why Molly Bloom menstruates.--Finnegans wake: Levin, H. The language of the outlaw. Hart, C. Quinet.--Retrospection: Trilling, L. James Joyce in his letters. Adams, R. M. The bent knife blade: Joyce in the 1960's.--Selected bibliography (p. 180-184)
600 1 0 _aJoyce, James,
_d1882-1941
_xCriticism and interpretation.
651 0 _aIreland
_xIn literature.
999 _c114639
_d114639