Inventing black women : African American women poets and self-representation, 1877-2000 / Ajuan Maria Mance.

By: Material type: TextPublication details: Knoxville : University of Tennessee Press, c2007.Edition: 1st edDescription: x, 202 p. ; 24 cmISBN:
  • 9781572334922 (hbk. : alk. paper)
  • 1572334924 (hbk. : alk. paper)
  • 9781572336513
  • 157233651X
Subject(s): Additional physical formats: Online version:: Inventing black women.; Online version:: Inventing black women.LOC classification:
  • PS310.N4 M36 2007
Online resources:
Contents:
Acknowledgments -- Introduction: Invisible bodies, invisible work: nineteenth-century American womanhood and the pastoral of the American homescape -- 1: Sole and earnest endeavor: African American women's poetry in the late nineteenth century -- 2: Black woman as object and symbol: African American women poets in the Harlem renaissance -- 3: Revolutionary dreams: African American women poets in the black arts movement -- 4: Locating the black female subject: late-twentieth-century African American women poets and the landscape of the body -- Notes -- Bibliography -- Index.
Summary: From Book Jacket Insert: Inventing Black Women fills important gaps in our understanding of how African American women poets have resisted those conventional notions of gender and race that limit the visibility of Black female subjects. The first historical and thematic survey of African American women's poetry, this book examines the key developments that have shape the growing body of poems by and about Black women since the end of slavery and reconstruction, as it offers incisive readings of individual works by important poets such as Alice B Neal, Maggie Pogue Johnson, Alice Dunbar Nelson, Sonia Sanchez, Lucille Clifton, and Audre Lorde, as well as many others. Ajuan Maria Mance establishes that the history of African American women's poetry revolves around the struggle of the Black female poet against two marginalizing forces: the widespread association of womanhood with the figure of the middle-class, white female; and the similar association of Blackness with the figure of the African American male. In so doing, she looks closely at the major trends in Black women's poetry during each of four critical moments in African American literary history: the post-Reconstruction era from 1877 to 1910; the Harlem Renaissance of the 1920s; the Black Arts Movement from 1965-1975; and the period from 1975-2000. Inventing Black Women will prove an invaluable resource for scholars and students of American literature, African American studies, and women's studies.
Tags from this library: No tags from this library for this title. Log in to add tags.
Star ratings
    Average rating: 0.0 (0 votes)
Holdings
Item type Current library Call number Status Barcode
Book Storms Research Center Main Collection PS310 .N4 M36 2007 (Browse shelf(Opens below)) Available 98639622

Includes bibliographical references (p. [185]-194) and index.

Acknowledgments -- Introduction: Invisible bodies, invisible work: nineteenth-century American womanhood and the pastoral of the American homescape -- 1: Sole and earnest endeavor: African American women's poetry in the late nineteenth century -- 2: Black woman as object and symbol: African American women poets in the Harlem renaissance -- 3: Revolutionary dreams: African American women poets in the black arts movement -- 4: Locating the black female subject: late-twentieth-century African American women poets and the landscape of the body -- Notes -- Bibliography -- Index.

From Book Jacket Insert: Inventing Black Women fills important gaps in our understanding of how African American women poets have resisted those conventional notions of gender and race that limit the visibility of Black female subjects. The first historical and thematic survey of African American women's poetry, this book examines the key developments that have shape the growing body of poems by and about Black women since the end of slavery and reconstruction, as it offers incisive readings of individual works by important poets such as Alice B Neal, Maggie Pogue Johnson, Alice Dunbar Nelson, Sonia Sanchez, Lucille Clifton, and Audre Lorde, as well as many others. Ajuan Maria Mance establishes that the history of African American women's poetry revolves around the struggle of the Black female poet against two marginalizing forces: the widespread association of womanhood with the figure of the middle-class, white female; and the similar association of Blackness with the figure of the African American male. In so doing, she looks closely at the major trends in Black women's poetry during each of four critical moments in African American literary history: the post-Reconstruction era from 1877 to 1910; the Harlem Renaissance of the 1920s; the Black Arts Movement from 1965-1975; and the period from 1975-2000. Inventing Black Women will prove an invaluable resource for scholars and students of American literature, African American studies, and women's studies.

There are no comments on this title.

to post a comment.