TY  - BOOK
AU  - Whiteley,Sheila
AU  - Rambarran,Shara
TI  - The Oxford handbook of music and virtuality
SN  - 9780199321285
AV  - REF ML 74.7 .O94 2016
PY  - 2016///
CY  - New York City
PB  - Oxford University Press
KW  - Music and the Internet
KW  - Music
KW  - Computer network resources
N1  - Series statement from dust jacket; Includes bibliographical references and index; The Pre-Digital Virtual; "Seventeenth Heaven": Virtual Listening and its Discontents; Christian Lloyd; "Nothing is Real": The Beatles as Virtual Performers; Philip Auslander and Ian Inglis; Tom, Jerry and the Virtual Virtuoso; Sheila Whiteley; Bring that Beat Back: Sampling as Virtual Collaboration; Rowan Oliver; An Analysis of Virtuality in the Creation and Reception of the Music of Frank Zappa; Paul Carr --; Vocaloids, Holograms and Virtual Pop Stars; Vocaloids and Japanese Virtual Vocal Performance: The Cultural Heritage and Technological Futures of Vocal Puppetry; Louise H. Jackson and Mike Dines; Hatsune Miku and Japanese Virtual Idols; Rafal Zaborowski; Hatsune Miku, 2.0Pac and Beyond: Rewinding and Fast-Forwarding the Virtual Pop Star; Thomas Conner; "Feel Good" with Gorillaz and "Reject False Icons": The Fantasy Worlds of the Virtual Group and their Creators; Shara Rambarran --; Second Life; Avatar Rockstars: Constructing Musical Personae in Virtual Worlds; Trevor S. Harvey; Performing Live in Second Life; Justin Gagen and Nicholas Cook; Live Opera Performance in Second Life: Challenging Producers, Performers and the Audience; Marco Antonio Ch�aavez-Aguayo --; Authorship, Creativity and Musicianship; We Are, The Colors: Collaborative Narration and the Experimental Construction of a Non-Existent Band; Alon Ilsar and Charles Fairchild; Music in Perpetual Beta: Composition, Remediation, and "Closure"; Paul Draper and Frank Millward; Justin Bieber Featuring Slipknot: Consumption as Mode of Production; Ragnhild Br�vig-Hanssen; Human After All: Understanding Negotiations of Artistic Identity through the Music of Daft Punk; Cora S. Palfy; Virtual Bands: Recording Music Under the Big Top; David Tough --; Communities and the World-Wide-Web; "Uploading" to Carnegie Hall: The First YouTube Symphony Orchestra; Shzr Ee Tan; The Listener as Remixer: Mix Stems in Online Fan Community and Competition Contexts; Samantha Bennett; Sample Sharing: Virtual Laptop Ensemble Communities; Benjamin O'Brien; Stone Tapes: Ghost Box, Nostalgia, and Post-War England; David Pattie; From Hypnagogia to Distroid: Postironic Musical Renderings of Personal Memory; Adam Trainer; Bands in Virtual Spaces, Social Networking and Masculinity; Danijela Bogdanovic --; Sonic Environments and Musical Experience; From Environmental Sound to Virtual Environment Enhancing: Consuming Ambiance as Listening Practice; Thomas Brett; App Music; Jeremy Wade Morris; Alternative Virtuality: Independent Micro Labels Facing the Ideological Challenge of Virtual Music Culture: The Case of Finnish Ektro Records; Juho Kaitaj�arvi-Tiekso; Everybody Knows There is Here: Surveying the Indexi-Local in CBC Radio 3; Michael Audette-Longo; Mind Usurps Program: Virtuality and the "New Machine Aesthetic" of Electronic Dance Music; Benjamin Halligan --; Participatory Culture and Fundraising; Virtual Music, Virtual Money: The Impact of Crowdfunding Models on Creativity, Authorship and Identity; Mark Thorley; With a Little Help from My Friends, Family and Fans: DIY, Participatory Culture and Social Capital in Music Crowdfunding; Francesco D'Amato; Music and Crowdfunded Websites: Digital Patronage and Artist-Fan Interactivity; Justin Williams and Ross Wilson --; Authors' Blog: Final Thoughts on Music and Virtuality; Edited by Paul Carr
N2  - This work, edited by Sheila Whiteley and Shara Rambarran, brings together a multidisciplinary group of scholars who address issues such as artistic agency, the relationship between reality and illusion or simulation, and the construction of musical personae, subjectivities, and identities in a virtual world
ER  -