The Oxford handbook of music and virtuality / 
 Handbook of music and virtuality  Music and virtuality 
edited by Sheila Whiteley and Shara Rambarran. 
 - xxxii, 679 pages :  illustrations, music ;  26 cm. 
 - Oxford handbooks. .
<br/><br/> Series statement from dust jacket. 
<br/><br/>Includes bibliographical references and index. 
<br/><br/> The Pre-Digital Virtual.  "Seventeenth Heaven": Virtual Listening and its Discontents /  "Nothing is Real": The Beatles as Virtual Performers /  Tom, Jerry and the Virtual Virtuoso /  Bring that Beat Back: Sampling as Virtual Collaboration /  An Analysis of Virtuality in the Creation and Reception of the Music of Frank Zappa /  Vocaloids, Holograms and Virtual Pop Stars.  Vocaloids and Japanese Virtual Vocal Performance: The Cultural Heritage and Technological Futures of Vocal Puppetry /  Hatsune Miku and Japanese Virtual Idols /  Hatsune Miku, 2.0Pac and Beyond: Rewinding and Fast-Forwarding the Virtual Pop Star /  "Feel Good" with Gorillaz and "Reject False Icons": The Fantasy Worlds of the Virtual Group and their Creators /  Second Life.  Avatar Rockstars: Constructing Musical Personae in Virtual Worlds /  Performing Live in Second Life /  Live Opera Performance in Second Life: Challenging Producers, Performers and the Audience /  Authorship, Creativity and Musicianship.  We Are, The Colors: Collaborative Narration and the Experimental Construction of a Non-Existent Band /  Music in Perpetual Beta: Composition, Remediation, and "Closure" /  Justin Bieber Featuring Slipknot: Consumption as Mode of Production /  Human After All: Understanding Negotiations of Artistic Identity through the Music of Daft Punk /  Virtual Bands: Recording Music Under the Big Top /  Communities and the World-Wide-Web.  "Uploading" to Carnegie Hall: The First YouTube Symphony Orchestra /  The Listener as Remixer: Mix Stems in Online Fan Community and Competition Contexts /  Sample Sharing: Virtual Laptop Ensemble Communities /  Stone Tapes: Ghost Box, Nostalgia, and Post-War England /  From Hypnagogia to Distroid: Postironic Musical Renderings of Personal Memory /  Bands in Virtual Spaces, Social Networking and Masculinity /  Sonic Environments and Musical Experience.  From Environmental Sound to Virtual Environment Enhancing: Consuming Ambiance as Listening Practice /  App Music /  Alternative Virtuality: Independent Micro Labels Facing the Ideological Challenge of Virtual Music Culture: The Case of Finnish Ektro Records /  Everybody Knows There is Here: Surveying the Indexi-Local in CBC Radio 3 /  Mind Usurps Program: Virtuality and the "New Machine Aesthetic" of Electronic Dance Music /  Participatory Culture and Fundraising.  Virtual Music, Virtual Money: The Impact of Crowdfunding Models on Creativity, Authorship and Identity /  With a Little Help from My Friends, Family and Fans: DIY, Participatory Culture and Social Capital in Music Crowdfunding /  Music and Crowdfunded Websites: Digital Patronage and Artist-Fan Interactivity /  Authors' Blog: Final Thoughts on Music and Virtuality /  Christian Lloyd ;  Philip Auslander and Ian Inglis ;  Sheila Whiteley ;  Rowan Oliver ;  Paul Carr --  Louise H. Jackson and Mike Dines ;  Rafal Zaborowski ;  Thomas Conner ;  Shara Rambarran --  Trevor S. Harvey ;  Justin Gagen and Nicholas Cook ;  Marco Antonio Ch�aavez-Aguayo --  Alon Ilsar and Charles Fairchild ;  Paul Draper and Frank Millward ;  Ragnhild Br�vig-Hanssen ;  Cora S. Palfy ;  David Tough --  Shzr Ee Tan ;  Samantha Bennett ;  Benjamin O'Brien ;  David Pattie ;  Adam Trainer ;  Danijela Bogdanovic --  Thomas Brett ;  Jeremy Wade Morris ;  Juho Kaitaj�arvi-Tiekso ;  Michael Audette-Longo ;  Benjamin Halligan --  Mark Thorley ;  Francesco D'Amato ;  Justin Williams and Ross Wilson --  Edited by Paul Carr. 
<br/><br/> This work, edited by Sheila Whiteley and Shara Rambarran, brings together a multidisciplinary group of scholars who address issues such as artistic agency, the relationship between reality and illusion or simulation, and the construction of musical personae, subjectivities, and identities in a virtual world. 
<br/><br/><label>ISBN: </label>9780199321285 0199321280 
<br/><br/><label>LCCN: </label>2015022089 
<br/><br/><label>Nat. Bib. No.: </label>GBB626191  bnb 
<br/><br/><label>Subjects--Topical Terms: </label><br/>Music and the Internet.<br/>Music--Computer network resources.
<br/><br/><label>LC Class. No.: </label>REF ML 74.7  / .O94 2016