TY  - BOOK
AU  - Wierzbicki,James Eugene
AU  - Platte,Nathan
AU  - Roust,Colin
ED  - Routledge (Firm)
TI  - The Routledge film music sourcebook
SN  - 9780415888738 (hardback)
AV  - ML 2075 .R68 2012
PY  - 2012///
CY  - New York
PB  - Routledge
KW  - Motion picture music
KW  - History and criticism
N1  - Includes bibliographical references, filmography (p. 354-372), and index; pt. 1. "Silent" film; Early approaches to film accompaniment; Music for the picture; Clarence E. Sinn (1910); Playing the pictures; Clyde Martin (1910); Jackass music; Lou Reeves Harrison (1911) --; Dreams of the future; Music for the movies; Carl Van Vechten (1916); The surveys of Le film : music and the cinema (1919) --; Practical advice in the heyday of the silent film; Musical accompaniment to the feature picture; Erno Rapee (1925); Scoring a motion picture; Victor Wagner (1926); The artistic feature film and music : its genres; Hans Erdmann (1927) --; pt. 2. Early sound film; Transitional concerns; Music and the cinema; Edwin Evans (1929); About the music to New Babylon; Dmitry Shostakovich (1929); Experimenting with sound films; Darius Milhaud (1930) --; Accounts of the sound film's early years; Musical picture quietly undergoes renaissance; Philip K. Scheurer (1931); Musical pictures are here again; Helen Louise Walker (1931); Film music experiences its sanest development; Edwin Schaller (1932) --; Debates on the future of music in sound films; A little about movie music; Virgil Thomson (1933); Music and the synchronized film; Clarence Raybould (1933); Musical surprises; Azary Azarin (1935); The experience of the composer; Nikolai Krykov (1936) --; pt. 3. Music in the classical-style film; Practical advice as film music's "classical style" takes shape; Film music; Arthur Benjamin (1937); On the Hollywood front; George Antheil (1938); History of motion picture music; Franz Waxman (1940); Memoranda; David O. Selznick (1937, 1941) --; Aesthetic squabbles; Music and cinema : an impossible marriage; Gianandrea Gavazzeni (1943); Music and cinema : a difficult marriage; Fedele d'Amico (1943); Music and the screen; Erich Leinsdorf (1945); Music in films : a rebuttal; Bernard Herrmann (1945); Heard melodies; Bosley Crowther (1945) --; pt. 4. The postwar years; European vs. American attitudes; Music : congress at Florence; Antony Hopkins (1950); Film music of the quarter; Lawrence Morton (1951); Hollywood orchestrators : the dragon shows his teeth; Hans Keller (1951); How film music was born and how it is made today; Georges Auric (1952) --; Foreign ideas; A few ideas about music and film; John Cage (1951); Concrete music; Pierre Schaeffer (1954); On using musical instruments in film music; Wang Yunjie (1957) --; Stylistic novelties; Scorers skip classics, seek new approach; Philip K. Sheurer (1954); Three movie scores issued on LP disks; John S. Wilson (1959); British rattled by rock  'n' roll; Thomas P. Ronan (1956); 'Real crazy' Mansfield in raucous film; Mae Tinee (1957); Films' appeal is based on rock 'n' roll; Mae Tinee (1957); The first electronic filmscore : Forbidden planet; Jane Brockman (1992); Electronic strains reinforce Andromeda film score; Martin Bernheimer (1971) --; pt. 5. Changing times; Gloom and doom; What ever happened to great movie music?; Elmer Bernstein (1972); Whatever became of movie music?; David Raksin (1974) --; Plenty of optimism; Sound and fury over film music; Charles Champlin (1967); Notes from a subculture; Leonard Rosenman (1968); You may not leave the movie house singing their songs, but ...; Charles Higham (1975) --; pt. 6. The business of film music; Labor pains; Musicians to picket two films in 20 U.S. cities; Howard Kennedy (1958); Musicians Guild wins coast vote; Thomas M. Pryor (1958); Musicians Guild wins 14% hike in studio pay; Anon. (1958); Musicians could be left out when actors settle; Eric Malnic (1980); Tentative pact reached in musician strike; Anon. (1981); AFM, film producers reach new three-year pact; Anon. (1990); Keeping film scoring on our shores; Florence Nelson (2005); Union drumbeat's growing; John Burlingame (2010) --; Soundtrack albums; Music is now profit to the ears of filmmakers; Vincent Canby (1966); The sound of (movie) music : re-releases of soundtracks past; Tom Shales (1976); Movie music : is it becoming hit or miss?; Steven Smith (1986) --; pt. 7. A whole new world; New instruments; Synthesizer upstarts conquer Hollywood; Jeff Burger (1987); Computers in the movies : How desktop PCs help create Hollywood's amazing music and sound effects; Lachlan Westfall (1998); The unreal orchestra, part 1 : The virtual film score; Michael Prager (2004); Sound for picture : Hans Zimmer's scoring collective : composer collaboration at remote control productions; Matt Hurwitz (2007) --; New methods; Making soundtracks, part 1 : Who puts 'em there, anyway; Jeff Rona (2000); Making soundtracks, part 2 : More on the differences between the score and the soundtrack; Jeff Rona (2000); Music in movies and TV : filling the bill; Nick Krewen (2005); Music business insider: Q&A : Jack Rudy; Mike Levine (2007) --; pt. 8. Today, tomorrow; Fin de si�ecle; Film music has two masters; Donal Henahan (1987); In Hollywood, discord on what makes music; David Mermelstein (1997); Keeping scores : good old-fashioned movie music is as healthy as it ever was; James Hunter (1998); Many ways to score; Catherine Applefeld Olson (1952) --; Onward and upward?; Taking movie music seriously, like it or not; David Schiff (2001); The soundtrack game is attracting fresh and edgy artists; Dylan Callaghan (2002); When is film music classical?; Jed Distler (2007); Hollywood composers tune in for rare gathering; Kevin Cassidy (2008); 127 hours and other films take experimental turns in music; Todd Martens (2010)
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