TY  - BOOK
AU  - Hubbert,Julia Bess
TI  - Celluloid symphonies: texts and contexts in film music history 
SN  - 9780520241015 (cloth : alk. paper)
AV  - ML 2075 .C455 2011
PY  - 2011///
CY  - Berkeley
PB  - University of California Press
KW  - Motion picture music
KW  - History and criticism
KW  - Symphony
N1  - Includes bibliographical references and index; Playing the pictures : music and the silent film (1895-1925); Plain talk to theater managers and operators (1909); F.H. Richardson; Incidental music for Edison Pictures (1909); Jackass music (1911); Louis Reeves Harrison; from; What and how to play for pictures (1913); Eugene A. Ahern; Music for the picture (1911); Clarence E. Sinn; The art of exhibition : Rothapfel on motion picture music (1914); W. Stephen Bush; from Musical accompaniment of moving pictures (1920); Edith Lang and George West; from; Musical presentation of motion pictures (1921); George Beynon; from; Encyclopaedia of music for pictures (1925); Erno Rapee; Two thematic music cue sheets : The thief of Bagdad (1924) and Dame chance (1926); Music and motion pictures (1926); Hugo Riesenfeld; Publishers win movie music suit (1924) --; All singing, dancing, and talking : music in the early sound film (1926-1934); New musical marvels in the movies (1926); Musicians to fight sound-film devices (1928); The truth about voice doubling (1929); Mark Larkin; Westward the course of Tin-Pan Alley (1929); Jerry Hoffman; What's wrong with musical pictures? (1930); Sigmund Romberg; Present day musical films and how they are made possible (1931); Verna Avery; Alfred Hitchcock on music in films (1934); Stephen Watts --; Carpet, wallpaper, and earmuffs : the Hollywood score (1935-1959); Composers in movieland (1935); George Antheil; The aesthetics of the sound film (1935); Leonid Sabaneev; Scoring the film (1937); Max Steiner; Some experiences in film music (1940); Erich Wolfgang Korngold; What Is a filmusical? (1937); Denis Morrison; Music in the films (1941); Aaron Copland; Music or sound effects? (1947); Harold C. Schonberg; The new musical resources (1947); Theodor Adorno and Hanns Eisler; Movie music goes on record (1952); Arthur Knight; The man with the golden arm (1956); Elmer Bernstein; Forbidden planet (1956); Louis and Bebe Barron; Interview with Stanley Donen (1977); Jim Hillier; One thing's for sure, R 'n' R is boffo B.O. (1958); Alan Freed --; The recession soundtrack : from albums to auteurs, songs to serialism (1960-1977); Film themes link movie, disk trades (1960); June Bundy; Mancini debunks album values (1961); Eddie Kalish; Herrmann says Hollywood tone deaf as to film scores (1964); The new sound on the soundtracks (1967); Gene Lees; Movies : tuning in to the sound of new music (1968); Renata Adler; Towards an interior music (1997); Ennio Morricone; Keeping score on Schifrin : Lalo Schifrin and the art of film music (1969); Harvey Siders; BBC interview with Jerry Goldsmith (1969); The jazz composers in Hollywood : a symposium (1972); Harvey Siders; George Lucas : stinky kid hits the bigtime (1974); Steven Farber; The annotated Friedkin (1974); Elmer Bernstein; Whatever became of movie music? (1974); David Raksin --; The postmodern soundtrack : film music in the video and digital age (1978-present); Selling a hit soundtrack (1979); Susan Peterson; Interview with John Williams (1997); Craig L. Byrd; Scoring with synthesizers (1982); Terry Atkinson; Rock movideo (1985); Marianne Meyer; How rock is changing Hollywood's tune (1989); Stephen Holden; Danny Elfman : from boingo to Batman (1990); Randall D. Larson; Interviews from The celluloid jukebox (1995); Jonathan Romney and Adrian Wootton; Composing with a very wide palette : Howard Shore in conversation (1952); Philip Brophy; Hollywood sound (2005); Rob Bridgett
ER  -