Ashby, Arved Mark. <br/><br/>
Absolute music, mechanical reproduction / 
Arved Ashby. 
 - Berkeley :  University of California Press,  c2010. 
 - xii, 317 p. :  ill., music ;  24 cm. 
<br/><br/>Includes bibliographical references (p.299-308) and index. 
<br/><br/>The recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies --  Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist. 
<br/><br/><label>ISBN: </label>9780520264793 (cloth : alk. paper) 0520264797 (cloth : alk. paper) 9780520264809 (pbk. : alk. paper) 0520264800 (pbk. : alk. paper) 
<br/><br/><label>LCCN: </label>2009040742 
<br/><br/><label>Nat. Bib. No.: </label>GBB030513  bnb 
<br/><br/><label>Nat. Bib. Agency Control No.: </label>015494171  Uk 
<br/><br/><label>Subjects--Personal Names: </label><br/>Gould, Glenn--Criticism and interpretation.<br/>Schnabel, Artur, 1882-1951 --Criticism and interpretation.
<br/><br/><label>Subjects--Topical Terms: </label><br/>Absolute music.<br/>Sound recordings--Social aspects.<br/>Music--Philosophy and aesthetics.<br/>Performance practice (Music)--History--20th century.<br/>Music and technology.<br/>Sound--Recording and reproducing--Digital techniques.<br/>MP3 (Audio coding standard)--Social aspects.
<br/><br/><label>LC Class. No.: </label>ML 3854  / .A84 2010