Recorded music :  performance, culture and technology / 
edited by Amanda Bayley. 
 - Cambridge, UK ;  New York :  Cambridge University Press,  2010. 
 - xvii, 374 p. :  ill., music ;  26 cm. 
<br/><br/>Includes bibliographical references and index. Includes discography. Includes Web resources. 
<br/><br/>The rise and rise of phonomusicology / Stephen Cottrell -- Illusion and aura in the classical audio recording / Peter Johnson -- Ethical and cultural issues in the digital era / Andrew Blake -- The changing functions of music recordings and listening practices / Adam Krims -- Producing performance / James Barrett -- Modi operandi in the production of 'world music' recordings / John Baily -- Recording and the Rattle phenomenon / David Patmore -- Jazz recordings and the capturing of performance / Peter Elsdon -- Jazz recordings as social texts / Catherine Tackley -- Recordings as research tools in ethnomusicology / Jonathan P.J. Stock -- Multiple takes : using recordings to document creative process / Amanda Bayley -- The phonographic voice : paralinguistic features and phonographic staging in popular music singing / Serge Lacasse -- The track / Allan Moore -- From sound to music, from recording to theory / John Dack -- Modes of appropriation : covers, remixes and mash-ups in contemporary popular music / Virgil Moorefield -- Painting the sonic canvas : electronic mediation as musical style / Albin Zak -- Epilogue : recording technology in the twenty-first century / Tony Gibbs. 
<br/><br/><label>ISBN: </label>9780521863094 0521863090 
<br/><br/><label>LCCN: </label>2009039349 
<br/><br/><label>Subjects--Topical Terms: </label><br/>Sound recordings--Social aspects.<br/>Music--Social aspects.<br/>Sound recordings in musicology.<br/>Sound recordings--Production and direction.
<br/><br/><label>LC Class. No.: </label>ML 3916  / .R43 2010