Bach and the High Baroque [videorecording] / Robert Greenberg.

Contributor(s): Material type: FilmPublisher number: 721-724 | Teaching Co.Series: Great courses on tapePublication details: Chantilly, VA : Teaching Co., c1998.Description: 8 DVDs sd., col. ; 1/2 in. + 4 lecture transcripts; 4 course guidebooks (22 cm.)ISBN:
  • 1565854748
Subject(s): Genre/Form:
Contents:
part I: lecture 1. Introduction -- lecture 2. Christmas, 1722 -- lecture 3. Introduction to the Baroque aesthetic -- lecture 4. Fugue -- lecture 5. Historical overview from Constantine (312-creation of Roman Christianity) through the great thinkers of the Baroque -- lecture 6. Style features of High Baroque music, part l: a musical glossary -- lecture 7. Style features of High Baroque music, part 2: a musical glossary, cont. -- lecture 8. Style features of High Baroque music, part 3: a musical glossary, cont. (180 min.).
part II: lecture 9. Bach's inheritance, part 1: the Protestant Reformation and the rise of Lutheranism -- lecture 10. Lutheranism, the chorale and the chorale prelude -- lecture 11. Bach's inheritance, part 2: The development of the Italian style -- lecture 12. The Italian style, the operatic ideal and Lutheran spirituality are joined -- lecture 13. Vivaldi, Bach and the concerto, part 1: Vivaldi and the Venetian opera -- lecture 14. Vivaldi, Bach and the concerto, part 2: Vivaldi's model and Bach, Violin Concerto No. 2 in E Major -- lecture 15. Vivaldi, Bach and the concerto, part 2: Bach Violin Concerto No. 2 in E Major, cont. -- lecture 16. Vivaldi, Bach and the concrto, part 3: the Concerto Grosso and the Brandenburg Concerto No. 2.
part III: lecture 17. Bach and the French style, part 1: dance and the orchestral suite -- lecture 18. Dance and the orchestral suite, cont. -- lecture 19. Bach and the French style, part 2: the keyboard suite -- lecture 20. The keyboard suite, cont. -- lecture 21. Bach and opera, part 1: Cantata No. 140 Wachet auf, uns ruft die stimme -- lecture 22. Canata No. 140 Wachet auf, uns ruft die stimme, cont. -- lecture 23. Bach and opera, part 2: opera buffa and the secular cantata, the Coffee Cantata -- lecture 24. Opera buffa and the secular cantata, the Coffee Cantata, cont.
part IV: lecture 25. Bach transcendent: the Saint Matthew Passion, part 1 -- lecture 26. Bach transcendent: the Saint Matthew Passion, part 2 -- lecture 27. Bach transcendent: the Saint Matthew Passion, part 3 -- lecture 28. Bach transcendent: the Saint Matthew Passion, part 4 -- lecture 29. Bach transcendent: the Goldberg Variations, part 1 -- lecture 30. Bach transcendent: the Goldberg Variations, part 2 -- lecture 31. Bach transcendent: the Goldberg Variations, part 3 -- lecture 32. Bach transcendent: the Goldberg Variations, part 4.
Lecturer, Robert Greenberg.Summary: Explores both Bach the man and his music, as well as the rich musical environment that shaped and inspired him.
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Holdings
Item type Current library Call number Status Barcode
DVD Storms Research Center DVD Collection DVD ML 410 .B1 B333 1998 PT.2 (Browse shelf(Opens below)) Available 75431
DVD Storms Research Center DVD Collection DVD ML 410 .B1 B333 1998 PT.3 (Browse shelf(Opens below)) Available 75432
DVD Storms Research Center DVD Collection DVD ML 410 .B1 B333 1998 PT.1 (Browse shelf(Opens below)) Available 75433
DVD Storms Research Center DVD Collection DVD ML 410 .B1 B333 1998 PT.4 (Browse shelf(Opens below)) Available 98620145

Browsing Storms Research Center shelves,Shelving location: DVD Collection Close shelf browser (Hides shelf browser)

In 4 containers, 22 x 15 x 9 cm.

Course nos. 721-724.

Bibliographical references in course guidebooks.

part I: lecture 1. Introduction -- lecture 2. Christmas, 1722 -- lecture 3. Introduction to the Baroque aesthetic -- lecture 4. Fugue -- lecture 5. Historical overview from Constantine (312-creation of Roman Christianity) through the great thinkers of the Baroque -- lecture 6. Style features of High Baroque music, part l: a musical glossary -- lecture 7. Style features of High Baroque music, part 2: a musical glossary, cont. -- lecture 8. Style features of High Baroque music, part 3: a musical glossary, cont. (180 min.).

part II: lecture 9. Bach's inheritance, part 1: the Protestant Reformation and the rise of Lutheranism -- lecture 10. Lutheranism, the chorale and the chorale prelude -- lecture 11. Bach's inheritance, part 2: The development of the Italian style -- lecture 12. The Italian style, the operatic ideal and Lutheran spirituality are joined -- lecture 13. Vivaldi, Bach and the concerto, part 1: Vivaldi and the Venetian opera -- lecture 14. Vivaldi, Bach and the concerto, part 2: Vivaldi's model and Bach, Violin Concerto No. 2 in E Major -- lecture 15. Vivaldi, Bach and the concerto, part 2: Bach Violin Concerto No. 2 in E Major, cont. -- lecture 16. Vivaldi, Bach and the concrto, part 3: the Concerto Grosso and the Brandenburg Concerto No. 2.

part III: lecture 17. Bach and the French style, part 1: dance and the orchestral suite -- lecture 18. Dance and the orchestral suite, cont. -- lecture 19. Bach and the French style, part 2: the keyboard suite -- lecture 20. The keyboard suite, cont. -- lecture 21. Bach and opera, part 1: Cantata No. 140 Wachet auf, uns ruft die stimme -- lecture 22. Canata No. 140 Wachet auf, uns ruft die stimme, cont. -- lecture 23. Bach and opera, part 2: opera buffa and the secular cantata, the Coffee Cantata -- lecture 24. Opera buffa and the secular cantata, the Coffee Cantata, cont.

part IV: lecture 25. Bach transcendent: the Saint Matthew Passion, part 1 -- lecture 26. Bach transcendent: the Saint Matthew Passion, part 2 -- lecture 27. Bach transcendent: the Saint Matthew Passion, part 3 -- lecture 28. Bach transcendent: the Saint Matthew Passion, part 4 -- lecture 29. Bach transcendent: the Goldberg Variations, part 1 -- lecture 30. Bach transcendent: the Goldberg Variations, part 2 -- lecture 31. Bach transcendent: the Goldberg Variations, part 3 -- lecture 32. Bach transcendent: the Goldberg Variations, part 4.

Lecturer, Robert Greenberg.

Explores both Bach the man and his music, as well as the rich musical environment that shaped and inspired him.

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